Novelist Roxana Robinson muses on why she writes in the morning, filled with anecdotes about her preference for instant coffee and quiet interactions with her husband. Why she avoids reading the paper or watching the news:
One glance at the headlines, the apprehension of the dire straits of the world, and it would all be over. The membrane will be pierced; it will shrivel and turn to damp shreds. I will find myself thrust into the outside world, my opinions required on unfaithful politicians and the precarious Middle East and the threat of global warming: I should really take action. The voices of the outside world are urgent and demanding.
So I don’t read the news or listen to it. Nor do I make a single phone call, not even to find out if the plumber is actually coming that day to fix the sink, which he has failed to do now for five days in a row. One call and I’m done for. Entering into the daily world, where everything is complicated and requires decisions and conversation, means the end of everything. It means not getting to write.