“Since we are all terminally ill, each breath and each step and day one closer to the last, I must consider those sacraments which soothe our passage. I write on a Wednesday morning in December when snow covers the earth, the sky is grey, and only the evergreens seem alive. This morning I received the sacrament I still believe in: at seven-fifteen the priest elevated the host, then the chalice, and spoke the words of the ritual, and the bread became flesh, the wine became blood, and minutes later I placed on my tongue the taste of forgiveness and love that affirmed, perhaps celebrated, my being alive, my being mortal. This has nothing to do with immortality, with eternity; I love the earth too much to contemplate a life apart from it, although I believe in that life. No, this has to do with mortality and the touch of flesh, and my belief in the sacrament of the Eucharist is simple: without touch, God is a monologue, an idea, a philosophy; he must touch and be touched, the tongue on flesh, and that touch is the result of monologues, the idea, the philosophies which led to faith; but in the instant of the touch there is no place for thinking, for talking; the silent touch affirms all that, and goes deeper: it affirms the mysteries of love and mortality,” – Andre Dubus, “On Charon’s Wharf,” from Broken Vessels.