Search Results For: Snapchat

Museum Of Modern Snapchat?

Sep 10 2014 @ 8:03am

Zachary Fine worries that “even art – that precious category of aesthetics coveted for its ability to draw our eye and focus – finds itself potentially imperiled by the company’s growing orbit”:

The renowned Los Angeles County Museum of Contemporary Art (LACMA) justScreen Shot 2014-09-04 at 3.58.12 PM joined the app as a user, and almost immediately gathered a following with its witty snaps. Now careening along after their forward-thinking competitor, the Blanton Museum of Art in Austin, the Georgia Museum of Art, and the Museum of Contemporary Art Chicago have followed suit.

While it remains to be seen what kind of future this bodes for habits of viewing inside museums and beyond, the prospects seem grim. Unfortunately, Snapchat rewards those very practices of rapid looking and reading that have so impaired our attention spans and hermeneutic dexterity in the Internet age. It not only convinces us that we have become good at seeing quickly, but that such practices are sufficient for the thoughtful interpretation of challenging and information-dense images. If users are determined to keep Snapchat in their lives, let them routinely resort to the under-employed screenshot—assuming fingers can scramble in time.

(Image from LACMA’s Snapchat channel via Hrag Vartanian)

by Michelle Dean

A reader compares the Sony hacking to this year’s sexting hacks:

I was a Sony Pictures employee up until two months ago. I worked as a television producer on the Sony lot for the previous two years. On a daily basis, I passed by Amy Pascal and Michael Lynton and the others whose private emails have now been leaked (contrary to Michelle Dean’s disdain that they’re just “big fancy business people,” they’re actually very cool, approachable people), and I have been warned that my private information has very likely been leaked as well – as have any present and former Sony Pictures employees going as far back as 1995. (!)

Let’s first remember what this hack is about: Private documents and emails were illegally stolen and leaked to the public, with more leaks threatened, in order to blackmail Sony out of releasing a film – they have specifically demanded that Sony not release “The Interview.” Put another way, foreign hackers are blackmailing Americans out of exercising their First Amendment rights. And now the media outlets that continue to print the salacious details revealed in these stolen documents are complicit in that blackmail scheme, having given the leaked information the damaging attention that the hackers wanted. The media crossed the line when the reporting shifted from the story of the hack itself and the criminal investigation, to printing every salacious email they could find.

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Love In The Time Of Sexting

Nov 15 2014 @ 8:12pm

melody-newcomb

After the celebrity photo hackings earlier this year, Jenna Wortham decided to explore “the way that our phones … foster intimate interactions that feel so personal and deep, despite being relayed through a machine.” She elaborates on why she started her “Everybody Sexts” project, which pairs illustrations of NSFW selfies with short interviews:

I think that everybody sexts. Not everyone sends nude photos, of course, for a variety of reasons. But many people I’ve talked to define a sext as anything sent with sexual intent, be it a suggestive Gchat exchange, a racy photo, a suggestive Snapchat, or even those aqua-blue droplets of sweat emoji.

I asked people I knew — and many I didn’t — to talk to me about sexts and the stories behind them, the risks, perceived and real, and why they did it, knowing that they could be shared beyond their control. Lastly, I asked them to share a nude that they had sent to someone. And so many people did, without hesitation, or requiring anything in exchange. I was floored by their openness, and the expanse of human emotions and experiences on display. What I discovered, mainly, is that sexting — like anything else done on our phones — was mostly just meant to be fun, for fun, grown folks doing what grown folks do.

How “K,” a 30-year-old writer in Chicago, describes her sext life:

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Raging Against The Small Screen

Aug 4 2014 @ 8:07pm

In a review of a recent show by Neutral Milk Hotel, Grayson Haver Currin griped that frontman Jeff Mangum’s no-photo policy for concertgoers plays like a cynical ploy:

Mangum is attempting to preserve the same legacy of an enigma that turned into a bankable career during his prolonged absence; in an age of instant information and updates, where what you had for breakfast becomes part of your digital identity, can you actually prove that you saw Neutral Milk Hotel without telling and showing your friends? … [T]he unexpected and unfortunate part … is that he’s dictating how those who actively fund him can interact with their own nostalgia, the exact thing he’s been preying on and profiting from for several touring years now. Mangum’s reluctance to be photographed seems less like a savior complex or a production concern than a brilliant financial ruse: If you can’t preserve this experience, then goddammit, you will have to pay for it again and again and again.

Judy Berman doesn’t follow:

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When The Phone Goes Dead

Jun 26 2014 @ 10:19am

Alice Robb takes note of a remote village in Papua New Guinea where locals call the deceased on their cellphones:

[The villagers] have long been confident in their ability to talk to the dead, believing they can communicate with the world of spirits in dreams, visions, and trances induced by special rituals. The introduction of mobile phones has opened up new possibilities: The Ambonwari believe they can use them to contact their dead relatives, whose numbers they obtain from healers. And once they reach them, they can ask for anything. “It is a general conviction,” write [anthropologists Borut] Telban and [Daniela] Vavrova, “that once people know the phone numbers of their deceased relatives they can ring and ask the spirits to put money in their bank accounts.”

I asked Telban if the villagers are discouraged that they never get through to the spirit world; he assured me that they’re not. They might assume the spirits aren’t available. And they ring random numbers so often that occasionally they do reach someone, whose voice they attribute to a spirit.

Meanwhile, in the US, hardly anyone seems to use their cellphones to call the living:

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Chart Of The Day

Jun 24 2014 @ 8:37pm

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Derek Thompson shares the results of a recent survey about teenagers’ Internet habits. One of his takeaways:

If you’re confused why digital publishers obsess over Facebook and social media, make this graph your smartphone wallpaper. Even the most popular site among teens – BuzzFeed – has fewer daily visitors than any network or app in the graph. (Even Beats, which is considered a tiny music service, has more daily users than any website in the survey.) Seventy three percent of teens don’t read BuzzFeed, 84 percent don’t read Reddit, and 96 percent don’t read Mashable or Gawker.

For young people, Facebook is the newspaper, and websites are the authors.

Christopher Mims thinks not:

The central problems with the Fire, the factors that will kill its sales as surely as they have held Windows Phone to single digit market share in North America, are these:

1. People are loath to switch from the phones they already have, and in the process abandon all the apps and media they’ve bought.

2. The North American market for smartphones–and especially the market for high-end smartphones like the Fire – is heavily saturated, which means there are hardly any new users out there who might adopt the Fire as their first phone.

3. Fire can’t access the existing pool of Android apps. It’s missing critical ones like Uber (Bezos says it’s coming) and Snapchat (no word on when it will appear).

Yglesias worries that the new Fire Phone is too high-end for its own good:

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Kevin Roose reports that “financial start-ups—known collectively as ‘fintech’—are spreading like kudzu, each with a different idea about how to usurp the giants of Wall Street by offering better services, lower fees, or both”:

Part of the reason the tech world is interested in finance is the sheer amount of money involved—financial services is a $1.2 trillion industry, and U.S.-based fintech start-ups raised an estimated $1.3 billion last quarter alone. But banking is also a prime candidate for disruption because, like much of the old-line corporate world, it tends to run on bloated, creaky technology. Even something as simple as applying for a loan can take weeks or months, thanks to the sheer number of human hands such transactions pass through. And, since each intermediary wants a cut, fees are everywhere. Undercutting big banks and speeding up processes might not be as sexy as, say, creating the next Snapchat, but it’s low-hanging fruit for techies who want a way in to a lucrative market. After all, today’s megabanks are really just bundles of particular, loosely related services cobbled together by years of acquisitions and market ­consolidation. If those bundles can be broken apart, the start-up world’s revolution looks a lot more plausible.

A Hard Read

Mar 25 2014 @ 7:46pm

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Alexis Madrigal praises Porn Studies, a new academic publication:

Porn is always two clicks away, and, hovers at the edge of so many conversations from analyses of Girls to sending messages on phones to the NSA. The problem, however, is that there are costs to even talking about pornography. This is true even in our supposed bastions of intellectual freedom, as several of the articles make clear. “I have been told ‘You don’t want to be ‘the porn guy’” and ‘you will have to deal with the content issue of your work,’” writes Nathaniel Burke in his essay Positionality and Pornography. I’d heard similar things from journalists, male and female alike. Very few people want to be “the porn guy.” And so researchers and critics choose to do work on less fraught, less important topics. Perhaps having a publication that serves as a gathering place will create some strength in academic numbers.

Lauren Davis was impressed by the first issue:

[T]he topics are quite intriguing: “Porn and sex education, porn as sex education, Revisiting Dirty Looks (an interview with Pamela Church Gibson about her collection of feminist essays about pornography), a study of emerging niches in US pornography consumption, and one on the nature and implications of sexual fantasies. On the other hand, many of the papers are about the challenges of actually researching pornography and the role of the pornography researcher, though even those can be entertaining; one involves a visit to the Adult Entertainment Expo in Las Vegas.

(Graphic from “Deep Tags: Toward a Quantitative Analysis of Online Pornography,” by Antoine Mazièresad, Mathieu Trachmanb, Jean-Philippe Cointeta, Baptiste Coulmontc, and Christophe Prieur)

Facebook’s Spending Spree

Feb 22 2014 @ 7:29am

Felix Salmon links Zuckerberg’s decision to acquire WhatsApp back to its “stroke-of-genius” decision to go public in 2011 and conquer the mobile market through acquisitions:

Zuckerberg knew, circa Facebook’s IPO, that his company was not good at mobile: it didn’t have the problem solved. And he knew that asking his existing corps of engineers to turn their attention to mobile would probably not work. But the good news was that he was now running a public company, with lots of cash, and a highly-valued acquisition currency in the form of Facebook stock. …

Facebook bought Instagram for $1 billion in 2012 not because the product was particularly great, but because the product was insanely popular. The same when he offered $3 billion for Snapchat. Sometimes, lightning strikes. And while Facebook is happy writing its own mobile apps in the hope that lightning will strike them, it knows better than to count on such a thing happening. If you want to be certain that hundreds of millions of people are using your mobile products, the only way to do that is to buy mobile products which hundreds of millions of people are using.

Peter Yared sees another rationale for Facebook buying WhatsApp. Tapping into people’s mobile contacts:

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