The Original Kids’ Picture Book

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Charles McNamara leafs through the Orbis Sensualium Pictus (aka The World of Things Obvious to the Senses drawn in Pictures), the mid-17th century work by John Comenius considered by many “to be the first picture book dedicated to the education of young children”:

Originally published in 1658 in Latin and German, the Orbis — with its 150 pictures showing everyday activities like brewing beer, tending gardens, and slaughtering animals — is immediately familiar as an ancestor of today’s children’s literature. This approach centered on the visual was a breakthrough in education for the young, as was the decision to teach the vernacular in addition to Latin. Unlike treatises on education and grammatical handbooks, it is aimed directly at the young and attempts to engage on their level. The Orbis was hugely popular. At one point it was the most used textbook in Europe for elementary education, and according to one account it was translated into “most European and some of the Oriental languages.”

In spite of its title, the book delves into the abstract:

After thirty-five chapters on theology, elements, plants, and animals, Comenius finally introduces man.

He again opts for the Biblical account and addresses Adam and Eve before more immediate topics like “The Outward Parts of a Man,” where we learn that women have “two Dugs, with Nipples” and that below the stomach we find “the Groyn and the privities.” The anatomical terminology is vast, including words for each finger and for a number of bones in the body. But amid instruction on the corporeal and familiar, Comenius again injects the abstract and invisible into his picture book with Chapter 43, a discussion of “The Soul of Man.” A dotted outline of a human, opening his arms as if to welcome the students’ gaze, stands at the top of the page. Despite this illustration, Comenius’ discussion of the soul is not dumbed down for children. He lays out the categories of souls for his young students: the “Vegetative” soul of plants, the “Sensitive” soul of animals, and the “Rational” soul of man.

(Image of “The Soul” from the 1705 English edition of Orbis Sensualium Pictus via The Public Domain Review)