For each site, research and development before the shoot plays a major role. Who were the key players — architects, designers, political figures — coordinating the fair? What important architecture was conceived and constructed specifically for it? Did this exposition permanently affect the reputation of that city (like the Eiffel Tower of the 1889 Exposition)? Is the remaining fair architecture still a monument, is it abandoned, is it repurposed, or was it demolished? These are all concepts that I consider very carefully before actually traveling to a shoot.
When I get to a site, I spend about 3-5 days shooting, scouting the area with an original fair map and retracing where the original structures would have once stood. The resulting images have come to show a wonderful variety and indicate the ultimate arbitrariness of urban preservation and collective cultural memory; in Paris, I photographed the Eiffel Tower; in Philadelphia, some lovely Victorian toilet buildings from 1876; and in Chicago, the empty place on the shore of Lake Michigan where the enormous 1893 Manufacture Liberal Arts building once stood.
See more of her work here.