"Claiming a macho film friendship is not-so-secretly gay has become its own kind of silly convention, a fake-subversive cliché. It is better — sounder both aesthetically and sociologically — to view the masculine pathos in films like [Keanu Reeves surfer movie] Point Break in light of the tradition of heroically minded philosophy that runs from Aristotle to Nietzsche. If Point Break is homoerotic, in other words, then so is Hegel’s Phenomenology of Spirit. Indeed, the thing that connects Johnny and Bodhi is precisely the thing that Hegel says distinguishes the Master from the Slave: The master prefers death to a life without honor and beauty, a life of mere survival," – Matt Feeney, Slate.