By Patrick
Jeet Heer on Frederic Wetham’s campaign against comic books:
For Wertham, even the most beloved comic-book heroes were suspect: Superman reminded him of Nazi Germany’s SS (a cadre of self-styled supermen), the adventures of Batman and Robin had homoerotic overtones, and Wonder Woman threatened to turn healthy young girls into lesbians. At the time Wertham made his attack on comics, the medium was at the height of its popularity, selling between 80 million and 100 million copies every week in scores of genres, ranging from funny animals and superheroes (for kids) to romance and horror (for teenagers and young adults).
As David Hajdu reminds us in his new book, The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, Wertham’s ideas had remarkably wide currency in postwar America. Countless religious and patriotic organizations organized book burnings to set comics aflame, and leading politicians held congressional hearings where William Gaines, the owner of EC Comics, publisher of the gory Tales From the Crypt and the satiric Mad comic book (later retooled as a magazine), was grilled as if he were a mobster.
As a result of this moral panic, the once-thriving comic-book industry went into a severe decline. In the two years after Wertham’s book came out, more than a dozen publishers and hundreds of cartoonists left the field. Those publishers that remained were severely restricted by a self-imposed code that prevented comics from publishing anything but the most anodyne kiddies’ fare. Only with the rise of graphic novels in the last few years have comics recovered from the stigma of the Wertham years. For Hajdu, the comic-book crackdown was a "purge," a precursor to later panics over rock music and video games.
The Dish 