by Chris Bodenner
Nathan Miller took a trip:
Dear Japan from Matthew Brown on Vimeo.
by Zoe Pollock
In honor of British literary critic Frank Kermode who died this week, a classic quote from 2006:
One of the great benefits of seriously reading English is you're forced to read a lot of other things. You may not have a very deep acquaintance with Hegel but you need to know something about Hegel. Or Hobbes, or Aristotle, or Roland Barthes. We're all smatterers in a way, I suppose. But a certain amount of civilisation depends on intelligent smattering.
by Chris Bodenner
Nicole Greenfield reviews Hipster Christianity:
For [author Brett] McCracken, there are two types of hip churches, two types of hipster Christians: the natural and the marketed, the authentic and the wannabe. Both Resurrection and its leader fall squarely into the former categories. And after presenting a brief history of the evolution of cool and proffering definitions of key terms—the hipster, for example, is defined in a remarkably vague way as “fashionable, young, independent-minded contrarian”—McCracken explores both sides, glorifying the likes of [pastor Vito] Aiuto and Resurrection and criticizing the wannabes, somewhat playfully, for trying too hard, for “bending over backward to meet the culture where it’s at,” for being too high-tech, too shocking, too “rebellious.”
But in part three of Hipster Christianity, McCracken, a self-described “hipster Christian,” adopts a different tone altogether, a tone decidedly more Christian than hipster, lashing out at culture, at “the outside,” at cool itself, for thrusting Christianity into “an identity crisis unrivaled in the history of the faith.” Christianity and cool are at odds, he argues, irreconcilable forces that, when engaged with each other, breed narcissism, incite recklessness, and encourage deviation from faith.
In my experience, especially living in Brooklyn, hipsters can be just as conformist and fundamentalist as Christians. Illustrative guide here. And of course this.
(Photo: Guerrilla graffiti artist Banksy makes his mark in Salt Lake City.)
by Zoe Pollock
The Oxford University Press blog continues to delve into sleep and the unconscious with Dr. Rosalind Cartwright who says:
The unconscious only comes up into the surface during our waking hours if we daydream and let our mind wander freely. In sleep the unconscious selects new experiences to save in memory, particularly new experiences that have an emotional charge. If you worked hard to learn something new you will remember it better after a period of sleep than if you stay awake before you need to remember that new learning.
Cartwright also explains how to coax your brain into getting rid of a recurring nightmare:
1) Identify why the nightmare was so strong that it woke them,
2) Name the opposite feeling,
3) Create an opposite image to represent that good emotion,
4) Practice that new image several times a day until it is easy to experience it at will. This image rehearsal is very successful with nightmares once the person feels “in charge”.
Her advice almost perfectly matches the advice my mother gave me growing up (to imagine scary leprechauns from under the bed tickling me, rather than attacking me). Though either image is still fairly horrifying, it did get rid of the nightmare.
By Zoe Pollock
Another from the wondrous Atlantic Archives, here's "I Am" by John Clare:
I am—yet what I am none cares or knows;
…My friends forsake me like a memory lost:—
I am the self-consumer of my woes;—
…They rise and vanish in oblivion's host,
Like shadows in love's frenzied stifled throes
And yet I am, and live—like vapours tostInto the nothingness of scorn and noise,—
…Into the living sea of waking dreams,
Where there is neither sense of life or joys,
…But the vast shipwreck of my life's esteems;
And e'en the dearest, that I love the best,
Are strange—nay, rather stranger than the rest.I long for scenes, where man hath never trod
…A place where woman never smil'd or wept;
There to abide with my creator, God;
…And sleep as I in childhood sweetly slept,
Untroubling and untroubled where I lie;
The grass below—above the vaulted sky.
Background on Clare and audio of poets, professors and the Atlantic's own poetry editor David Barber reading Clare's work can be found here.
by Zoe Pollock
Scientific American devotes its entire next special issue to "the end." They explain some of our eternal fascination with it:
The desire to treat terrible events as the harbinger of the end of civilization itself … has roots in another human trait: vanity.
We all believe we live in an exceptional time, perhaps even a critical moment in the history of the species. Technology appears to have given us power over the atom, our genomes, the planet—with potentially dire consequences. This attitude may stem from nothing more than our desire to place ourselves at the center of the universe. “It’s part of the fundamental limited perspective of our species to believe that this moment is the critical one and critical in every way—for good, for bad, for the final end of humanity,” says Nicholas Christenfeld, a psychologist at the University of California, San Diego. Imagining the end of the world is nigh makes us feel special.
by Conor Friedersdorf
The Institute for Justice is an organization I mentioned in my post about pragmatic libertarianism. In their video above, they highlight a defense effort they're mounting on behalf of a group of monks. They make coffins to support their cloistered lifestyle. Unfortunately, Louisiana law says that only licensed funeral directors can sell coffins, because we all know how much consumer suffering is associated with wooden boxes inside of which your corpse decays. (Perhaps the funeral directors' lobby can call Bernie of "Weekend At…" fame to testify on their behalf.)
The Associated Press has more here.
by Patrick Appel
Tony Woodlief attends the burial of a friend's child. Woodlief lost his own daughter a few years back:
It is a hard cruel thing, closing the lid on your child’s coffin. What no one tells you is that in the months and years to come, people will forget, but you will not. Something in you has died as well, and it awaits resurrection with your child’s body. You will carry this hole in you all your days, and there are no words or heavenly equations to make it good, not so long as you breathe while your child does not.
by Zoe Pollock
Paul Moses has a nice roundup of how Pope John Paul II's withdrawal of a convent near Auschwitz has been used in arguments against the Cordoba Mosque. He then offers a different anecdote about the Pope, celebrating Mass in Manger Square in Bethlehem, in 2000:
The pope had just finished his homily, ending with “Assalamu alaikum,” when the Muslim call to prayer broke forth from the loudspeakers at a mosque that bordered on Manger Square. It seemed, at first, like a rude intrusion on the historic Mass the pope was celebrating in the Jubilee year. But John Paul sat quietly and listened as the muezzin sang God’s praise; he seemed to be savoring the moment. It was as if the Muslim prayer mingled with the Mass.
Just before the Mass ended, it was announced that church and mosque officials had coordinated the call to prayer, which had been delayed to accommodate the pope’s homily. It was a small matter, really, but this cooperation stirred the crowd, mostly Arab Christians, to cheers, applause and even to tears. A sacred space had been shared, and everyone was the better for it.
(Photo: Pope Benedict XVI by Joe Klamar/AFP/Getty.)
by Zoe Pollock
Patrick Kurp reviews the work of Polish poet and essayist Zbigniew Herbert. A quote from Herbert's essay "Animula:"
I always wished I would never lose the belief that great works of the spirit are more objective than we are. And that they will judge us. Someone very rightly said that not only do we read Homer, look at frescoes of Giotto, listen to Mozart, but Homer, Giotto, and Mozart spy and eavesdrop on us and ascertain our vanity and stupidity. Poor utopians, history’s debutants, museum arsonists, liquidators of the past are like those madmen who destroy works of art because they cannot forgive them their serenity, dignity, and cool radiance.