by Chris Bodenner
Anna North discusses the author acknowledgment:
[They] offer an all-too-rare view of the writer as actual human being. We often think we’re seeing the author’s real self when we read her fiction, but as any author who’s ever been asked what happened after she fled her family of international superspies and threw in her lot with a group of itinerant circus performers knows only too well, this is a delusion. The acknowledgments at the back of a novel are tantalizing because they’re often the only true thing amid a pack of lies. And at the end of a really great book, how wonderful to recognize that it was written not by a monolith or a beam of white light or the manifestation of the goddess Athena, but by a living, breathing person who remembered to thank her agent.
Emily Gould lists nine "DON'Ts" when writing acknowledgments, including "Don't Thank A Deity":
I don't know what is up with people who have found God, but they seem really insecure about God's continued approval, like He is their quasi-abusive boyfriend or neglectful Dad or something, so they have to keep thanking Him every five seconds. [Chuck] Klosterman thanks God for helping him to write a shortish, go-nowhere, cutesy book about a brief road trip he took to rock stars' death sites. This is kind of like R. Kelly thanking God for helping him to write a song called "Sex Weed," except less hilarious.
The Dish 