Avi Steinberg, after attending a convention of ventriloquists, examines the science of a thrown voice:
Human perception, which functions by fusing simultaneous streams of sensory information, works on the assumption that if auditory and visual stimuli occur in
proximity—close in both space and in time—they must be caused by a single source, the one you see. So when we watch lips moving in sync with an unrelated sound, our brain simply denies the confusion, the strange coincidence of these two events, and instead processes them as though they were one very normal speech act. Thus, a ventriloquist can modulate his voice to make it sound near or far, as though it were muffled in a box, or gurgling up from underwater, but he doesn’t actually “throw his voice” in any particular direction; he just tosses it to the audience and they—their eyes, their brain—place it in the lips of the dummy. …
Nor does an understanding of the ventriloquist effect free us from its power. On the contrary, it forces us to witness just how pitifully our brain glosses over problems, how seamlessly it weaves its convenient answers. Our sensory system is as much a puppet as the duck with the googly eyes. As it turns out, there is wisdom in that old routine in which the dummy turns to his master and says, “No, you’re the dummy.”
(Photo: from a collection of vaudeville era portraits of vents and their dummies.)
The Dish 