Skip to the 1:30 mark for an impressive take on lighting up the dance floor:
Robin Sloan highlights the meta-novelty:
It’s ostensibly TRON-themed, but that’s irrelevant to its coolness. What makes it so great is the way that it puts the techniques of video editing—freeze frames, jump cuts, motion trails—back up on stage, live. … To me, popping and locking and the stuttering, slow-mo dance moves on display (e.g.) here are basically inconceivable without video. We need to see human bodies moving this way on screens before we can imagine moving them that way out on the street.
(Hat tip: Kottke)
The Dish 