The famous director's films are recut into a symphony of sounds:
Forrest Wickman analyzes:
These extreme close-ups and equally magnified sound effects are most well-known from Requiem for a Dream, in which they’re used to parallel various kinds of addiction (not just hard drugs but others like television and coffee), and this cut is particularly heavy on inserts from that film. It’s lighter on shots from Black Swan and The Wrestler, for which Aronofsky largely reinvented his style. But the video makes clear that Aronofsky didn’t do away with these techniques completely. Regardless of the differences, I agree with what the last shot seems to suggest about these effects: They’re all pretty transporting.
The Dish 