The Unknowable Mortal

Philosopher Charles Foster considers how foreign we are to ourselves:

I can know, in a scientific sense, almost nothing about myself. I have no real insight into my motives or influences. I say that I have views and desires, but I have no way of saying whether they are really mine, rather than parroted. … Those close to me probably know me better than I know myself. At least they constantly surprise me by telling me things about me that I would never have suspected, or never had the psychological ability to identify or acknowledge. But, although their view of me is more accurate than my own, it’s still woefully incomplete and distorted.

As a consequence, Foster says, “we should approach humans with awe”:

The Judaeo-Christian tradition insists that humans are made in the image of God. God, in that tradition, is unknowably vast. Unknowability and vastness generate a vertiginous awe whenever we look at God and they should, by extension, generate a similar awe when we look at creatures moulded in his/her/its image. You don’t have to accept the notion of the Imago Dei or any other theological principle to conclude that human beings should be viewed this way. You just have to be baffled. I’m unfathomable, you’re unfathomable: stand back in wonder, confusion and reverence.

Quote For The Day

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“Religion … is not, as some would persuade us, an interest attached to life, a subsidiary activity; nor is it a power which governs life from the outside with a, no doubt divine, but certainly incomprehensible, sanction for its authority. It is simply life itself, life dominated by the belief that its value is in the present, not merely in the past or the future, that if we lose ourselves we lose all. ‘Very few men, properly speaking, live at present,’ writes Swift, ‘but are providing to live another time.’ Such seems to me an irreligious life, the life of the world. The man of the world is careless of nothing save himself and his life; but to the religious man, life is too short and uncertain to be hoarded, too valuable to be spent at the pleasure of others, or the past or of the future, too precious to be thrown away on something he is not convinced is his highest good. In this sense, then, we are all, at moments, religious…

A religious revival is sometimes preached and spoken of as if it could be quite independent of other conditions and without relation to anything save, perhaps, a stricter moral behaviour. But, since the religious life, in the view I have tried to represent it, is synonymous with life itself at its fullest, there can be no revival of religion which is not a revival of a more daring and more sensitive way of live. And such a life may as easily be stifled under a mountain of moral prejudice, as dissipated by moral experiment – perhaps more easily,” – Michael Oakeshott, “Religion and the World,” in Religion, Politics, and the Moral Life.

Funerals Are For The Living

After detailing what he’d like his funeral to be like, from his casket to his suit, Wes Janisen gets to the heart of the matter:

I suppose I could continue, could tell you that Panda Express should cater the wake, could go into the kinds of flower arrangements I’d approve of and how to handle any awkward speeches from drunk family members — but that would really be more for your comfort than it would be of any importance to me. I guess that’s really what funerals are all about though, aren’t they, appeasing the living more than the dead? We hold these ceremonies for people we loved and we talk about “what they would have wanted,” but at the end of the day it’s our own peace of mind we’re looking for. Death is so heinously incomprehensible that we living folk go to elaborate lengths to give our dearly departed a proper send-off, but I can’t help but feel we’d skip it all if only we knew what came next. After all, the person in the casket never finds out if their funeral doesn’t go well; they don’t hear the priest mispronounce their name, they don’t sit through the embarrassing cat talk — they’re way too busy being dead, whatever you imagine that entails (sweet oblivion, golfing with God, a new life as a llama at a petting zoo?)

It is this line of thinking which leads me to the final instruction for my funeral: no matter what happens, no matter how badly it goes, don’t sweat it too much. Life is so full of serious, so full of tribulation; death seems like a great opportunity to have a no-pressure gathering of friends and family.

The Doubt In Science

Knowledge alone does not make a scientist:

When people talk about problems with science education, they are generally are talking about science as a body of knowledge. If you know certain facts from within that body of knowledge, you know science. There is another definition of science though, and it is antithetical to the body-of-knowledge definition. For lack of a better word, I’m going to call it testing and discovery. … Body-of-knowledge science is about building assumptions. Testing and discovery is about breaking them. These are two different attitudes, and therefore must be kept separate. Otherwise, testing and discovery will be swallowed up by “science” as just more facts to memorize.

The Fun In Fundamentalism

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Lana Hope, homeschooled in a Christian fundamentalist family, describes the appeal of her former faith:

A few years ago one of my friends had a birthday party, and he invited all the homeschool families he knew to his party. It may seem odd to an outsider to have young children at his 20th birthday party, but it was not the least bit weird to me (parties with my family are the same way; there were as many kids under 13 at my 18th birthday party as there were teens). But after an entire evening of playing board games with people of all ages, washing dishes together, and praying for each other, one of my public school friends (the only person who had attended public school at the party) said to me, “That was so much fun. I never experienced this in my life.” She explained that she never had an evening playing board games with children of all ages. In fact, she never went to someone’s house and had them pray for her either. It was foreign to her, but she liked it.

Fundamentalism offers that kind of community. Yes, the community creates pain and breaks sometimes, but it’s still community that often attracts people to fundamentalism.  I was looking through photos of my teen years earlier this week, and every photo of me has a child in the picture.

PZ Myers reflects on the anecdote:

We’d like to believe that the triumph of secularism is inevitable — how can we fail when we’re going up against such nutty ideas? — but maybe it isn’t, if we neglect social and community and family ideals and pander only to nerdy asocial guys in tech. We really need to wake up to the reasons normal people find value in weird religions.

Depicting The Jewish Jesus

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Morgan Meis visits the Jewish Museum’s new exhibit on Chagall and observes that the artist “had about a five-year period during the Second World War in which he became utterly obsessed with painting Jesus Christ”:

The paintings have little to do with Jesus as we usually see him — the central figure in the Christian Passion narrative. Chagall’s Jesus is a Jewish Jesus through and through. In many of the Crucifixion scenes (like The Artist with Yellow Christ, 1938 and Persecution, c. 1941) Jesus’ nether parts are covered with a tallit, a Jewish prayer shawl. In Study for The Yellow Crucifixion (1942), Jesus is wearing tefillin, little black boxes containing verses from the Torah that are wrapped around the head and arm, with black straps going down to the hand.

The meaning of Chagall’s Crucifixion paintings, in their historical context, is thus pretty clear. From the time of the Nazi rise to power in the 1930s, through the end of WWII, Chagall was preoccupied with the fate of European Jews. He saw Jesus on the Cross as a universally recognizable symbol of human suffering. Chagall hoped that Jews and non-Jews alike would be able to relate to this symbol. By making Jesus unmistakably Jewish, he was highlighting the fact that the Romans crucified Jesus as a Jew. In the midst of the Holocaust, Chagall wanted to make the universality of Jesus’ crucifixion specific again, he wanted the world to look at Jewish suffering.

What Does It Mean To Be A Sinner?

In his remarkable, much-discussed interview published last month in America, Pope Francis described himself with the phrase, “I am a sinner.” Patrick L. Gilger unpacks the quote:

[F]or those deeply immersed in the spirituality of Ignatius, being a “sinner” does not mean “having done things wrong” (although that is true). It doesn’t even mean that we will always do things wrong in the future (also true). It means that humans are – at root, ontologically – always in need of the living mercy of God. Michael Ives, author of Understanding the Spiritual Exercises, puts it this way: “sin is always considered in the Exercises in the light of mercy … The essential grace [ ] is that of a conversion arising out of the literally heart-breaking experience of being loved and forgiven.”

The literally heart-breaking experience. This is the reason Pope Francis calls himself a sinner. It is the reason he speaks so relentlessly about mercy. It is because he knows what all women and men who live deeply an Ignatian life know, that God’s mercy reframes our interpretation of everything, institutions included. It does so because, having understood the joy of being wrong, we have learned to hold our own plans loosely so as to be better lead by God. This is what St. Ignatius means by another of his famous spiritual terms, “indifference,” he means the ability to be lead by God into the previously unimaginable. The ability to do a new thing. The ability to let mercy be more fundamental than any plans or theo-political categories.

Pioneers Of Sexology

Emily Nussbaum calls Showtime’s new series Masters of Sex, based on the lives of sex researchers William H. Masters and Virginia Johnson, a “serious turn-on”:

[T]he show makes the case, beneath its cinematic lacquer, that [sex] is not something merely exciting or trivial but a deep human necessity. Deprived of intimacy and true release, people shrivel up. “Once you’ve seen Oz, who wants to go back to Kansas?” one heartbroken character asks. In this way, “Masters of Sex” reminded me not of a few other Showtime series, with their mood of anomie and disdain, but of “Orange Is the New Black,” the Netflix series that, for all its comic bounce, takes sex seriously, as pleasure, power, and escape. These stories are humanistic, not cynical, and although they go in for a level of prurience, the nudity isn’t simply there to jump the needle on the viewer’s electrocardiogram. “Masters of Sex” may not be revolutionary TV, but it’s got something just as useful: good chemistry.

Ashley Fetters appreciates that the show “limits its sex to where sex is an important component of the story.” Laura Bennett calls it “the best new fall drama on TV”:

“Masters of Sex” captures the atmosphere of its era better than all of “Mad Men”’s exquisite costumes and scrupulous sets: the sense of being on the brink of a seismic shift in the zeitgeist, as well as the particular courage required to be a sexually liberated woman in the baffling, buttoned-up years after Alfred Kinsey’s ground-breaking studies but before the sexual revolution. And the show does so without condescension, but rather with a winking understanding that times have changed less than we think. “The truth is nobody understands sex,” Masters says wearily. Given that a show set in the ’50s feels like the freshest take on sexual relations in awhile, it’s easy to agree.

But Neil Drumming isn’t feeling the chemistry, and neither is John Powers:

Nowhere is Masters of Sex worse than in its unmasterful vision of sex. Rather than treating it maturely, the show exemplifies much of what remains retrograde about premium cable and American pop culture in general — the gratuitous nudity, the squirmingly unsexy lovemaking scenes, the reflexive jokiness that reminds us that sex still makes people very, very nervous. At one point, the show actually cuts from a couple having sex in a car to a shot of a neon sign with a hot dog in a bun.

Maybe such a gag will crack up the 12-year-old boys watching at home, but it’s faintly depressing that half a century after Masters and Johnson helped liberate human sexuality, a TV show about their lives should so often reduce the conversation about it to the ignorant sniggering from which they were trying to set us free.

Uncovering Swingers

Tracy Clark-Flory says that Daniel Stern’s Swingland “at moments … reads like a self-discovery memoir à la “Eat, Pray, Love,” only with super-graphic group-sex scenes”:

The most satisfying bits of “Swingland” are also the most fleeting: Stern’s description of an elderly orgy-goer who boasts of a new hip replacement and osteoporosis medication; the Russian husband who leaves a Sylvester Stallone movie playing on TV throughout Stern’s carnal encounter with his wife; the anxious home improvement chatter that inevitably happens between men before everyone’s taken their clothes off; and the deaf swinger who responds to a woman’s loud moans with, “Even I could hear that!” Behind the absurdity and occasional braggadocio, there is a sweetness hidden at the center of the book, encapsulated in Stern’s revelation toward the end: ”I’d escaped that tonnage of performance-hindering anxiety and understood sex for what it was: fun.”

From TCF’s interview with Stern:

What kind of people did you meet in the lifestyle? What are they like in their everyday lives? What cross-section of America are we talking about?

They really run the gamut, everything from people in the police force to teachers to administrative assistants to people you would recognize from being on television. Age-wise, everyone from early 20s to octogenarians. The vast majority of swingers that I’ve met are middle-aged. My theory to explain that is they live long enough to have enough normal experiences when it comes to sex that they seek out something that is different. They’ve been in a marriage or relationship long enough that they want to get a bit of spice.