The Fate Of The Rock Star

by Matthew Sitman

In the midst of a lovely celebration of her music-filled life, Elizabeth Wurtzel ponders it:

I wonder if there will ever be another rock star. Probably not. Axl Rose was the last one in the sense of having a drug problem, dating a centerfold, showing up onstage at Madison Square Garden two hours and 15 minutes late to an audience that continued to sit and wait. No one would sit and wait anymore. Too exhausted.

And the whole point is to post that it happened on Facebook, not to have the experience. Kurt Cobain was an anti-rock star. That was good too. Eminem: maybe. Jay-Z is a businessman—it’s not that he isn’t talented, but he is a professional, the kingpin of an entertainment conglomerate. The opposite of a rock star is a professional. He is the platform and the content. And really, ideally you are the platform, even if that makes you inanimate: People now form lines around the corner not to buy a new album but because a new iPhone is out. Then they use it to send text messages mostly, or to do something they could have done two devices ago, but in any case the wait begins at 4:45 a.m. Which is to say that the party is over. Or maybe standing there as the dark of night becomes the light of day and the Apple Store opens for business is the fun part. Steve Jobs was weirdly both a rock star and a professional, so it figures he would check out before this got any worse.