Self-Help For The Second Sex

Sarah L. Courteau looks at the market for self-help books:

Men are a distinct minority of the self-help clientele—only about 30 percent, according to Marketdata. They tend to consult books about how to dominate in the boardroom or be a savvier investor. The typical consumer is a woman who is middle aged and affluent. (By and large, self-help is neither marketed to nor used by the young, who are busy out there making the mistakes they’ll be looking to fix in a few years’ time.) She’s someone who wants to maximize, and she has the luxury of a little money—and perhaps time—to worry about how to take off a few pounds, put her best foot forward at work, improve her relationship or her dating life, get her schedule or her closets more organized, or become a better mother. She is representative of a generation that has made enormous strides, yet she feels dissatisfied with where she is.

It’s easy for women to believe they need all the help they can get. We’re raised on Cosmo and Seventeen, both of which are chock-full of tips on how to pluck our eyebrows, choose a lipstick, or have better sex. We graduate to Real Simple and O: The Oprah Magazine when we have households of our own. The line between fighting for equal footing—that elusive sense of “empowerment” that we’re forever supposed to be grasping for—and the conviction that we could always be doing more is fine, if it exists at all. No surprise that self-help marketers know that their target audience consists of people who have already shelled out money for a self-improvement product within the last several months.

Learning From The Little Ones

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Richard Lewis, who works with children in the areas of drama and poetry, marvels at their capacity for insight. “To Be Alive,” a poem written by a 10 year old named David, sparked these thoughts from Lewis:

Certain pieces of writing, certain gestures of thought that children share with us can become emblematic—they are entryways to understanding the power of a child’s way of gathering insights. In many instances, the child is not even aware of what he has said and will simply shrug if one tries to praise or compliment him. David’s writing provided, for me, one of those emblematic moments. What he verified and illustrated was the act of imagining, particularly for children, as a bodily experience—as well as the ways that language, both spoken and written, thought and dreamt, is nurtured and embedded in the imagination. We are creators of images and caretakers of the images we perceive and communicate; it is the play of our imagining that allows us to inhabit aspects of the world seemingly distant from ourselves. Certainly David demonstrated this when he wrote without hesitation, “Sleep and the wind and I / drift to air.”

This ability of children to easily enter into the life of something other than themselves—to exchange their own mind for the mind of another—grows not only out of their innate playfulness, but out of a fluidity and plasticity of thought that is, in many ways, an inborn poetic gift. It is, perhaps, a way of seeing in which the seer does not distinguish between herself and the nature outside of her, an imaginative grasping of the whole of life before it becomes separated into subject matters and academic disciplines. One might think of it as a wilderness of thought that encompasses a multitude of growing worlds, each connected and dependent on the other—a truly ecological means of thinking and perceiving.

His takeaway:

So much of this childhood ease with both the visible and invisible, what we know and don’t know—the pure sense of expectation and delight in the mystery of what is happening and about to happen—is not only a function of our mind’s ability to balance opposites through the equipoise that is our imagination, but also a way of experiencing the world poetically. I don’t mean a poetry of verse and poems, but a poetic understanding that allows us to stand, for instance, in the middle of a stream and say nothing, and yet to feel, if only fleetingly, a sense of how we and the flowing water are of one being. Or to walk down a city street and accidently walk through the shadow of a tree that seems to move with us, to want to follow us—an expectation, an incandescent moment of which we are suddenly made aware. Each is only an instant, but an instant that carries with it a form of knowledge accessible to children and adults alike, one we rarely include in our current estimates of intelligence or achievement. This awareness should not be seen as a lack of development or a passing innocence, but as a container of thought that we carry with us over a lifetime. Within it, we, the stream, the tree, and the tree’s shadow share the same language.

(Photo by Flickr user enki22)

How Belief In The Apocalypse Is Accelerating It

David Swanson rails against the Christianist resistance to taking climate change seriously:

According to a Newsweek poll, 40 percent of people in the United States believe the world will end with a battle between Jesus Christ and the Antichrist. And overwhelmingly, those people also believe that natural disasters and violence are signs of the approach of the glorious battle—so much so that 22 percent of Americans believe the world will end in their lifetime. This would logically mean that concern for the world of their great-great-grandchildren makes no sense at all and should be dismissed from their minds. In fact, a recent study found that belief in the “second coming” reduces support for strong governmental action on climate change by 20 percent.

His broader point:

You see, the problem with theism is not that some of its spin-off beliefs succeed in an undemocratic system. The problem is that theism is anti-democratic at its core. It moves us away from relying on ourselves. It teaches us to rely on someone supposedly better than us.

Face Of The Day

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Photographer Sally Peterson took her grandmother’s portrait at 101 years old:

After taking photographs of Cecil, Peterson asked around at the nursing home and realized there were other centenarians living there. This inspired Peterson to begin her project, and she continues to do so with great passion, her grandmother always on her mind. Recently she traveled to the Yucatan where she photographed centenarian Mayans to include in the project.

More photos here.

(Photo: Cecil Peterson 101 years East Bay, California, by Sally Peterson.  Peterson is currently seeking new models for her Centenarians series.)

Quote For The Day

“The problem of faith is the problem for me. It preoccupies me far more now than it did when I was a believer, perhaps because it wasn’t a problem then but merely a fact. And a fact it was: I wasn’t merely ‘raised’ Catholic in a default sense; I was a believing Catholic, and it was important to me. It seems to me that the big thing that people who don’t understand religious devotion get wrong about it is the assumption that it is grounded in fear or in a desire for certainty. I’m sure this is true in some cases, but my own religious feelings were grounded in a sense of wonder at the mysteries of human existence. I would say that Catholicism trained me to have a particular set of emotional needs — in particular, the need to feel aligned in some way with these mysteries — that at a certain point the Church itself stopped fulfilling for me. An awful lot of my writing emerges from those needs. And I remain suspicious of scientific materialists who insist that there is no underlying mystery, that the sense of mystery is some kind of cognitive holdover from a time when science had not yet explained human existence. If any viewpoint comes from the desire for certainty, it would seem to be that one.

I could say much more on this topic, but I’ll just make one related point. It can be a difficult experience to abandon a strongly held belief. Very often the result is that whatever belief arrives in its place is held on to all the more strongly — the zeal of the convert, etc. What I’ve tried to gain from the process is some negative capability — the talent identified by Keats, ‘of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason.’ It’s not easy. But it’s a skill that can be quite valuable to a novelist or a critic. Or to a human being, for that matter. Whatever label applies,” – Christopher Beha.

(Hat tip: Wesley Hill)

“We Are All Bastards, But God Loves Us Anyway”

Reviewing Happy, Happy, Happy, the memoir by Phil Robertson of “Duck Dynasty” fame, Win Bassett highlights the TV reality star’s easy-going evangelical faith:

[W]hile he sets aside an entire chapter for his advice to “Share God’s Word,” Robertson isn’t your typical evangelist; or rather, he’s a square peg unfit for the Pat Robertson and Jerry Falwell round hole in which unfamiliar viewers would likely try to shove him. He’s a keen student of the Bible, often discussing the text’s application to his life and prescribing a calm faith of love and inclusion fundamentally opposed to dogma of difference and damnation. “[N]o matter how sorry and low-down something might be, everybody’s worth something. But you’re never going to turn them if you’re as evil as they are,” writes Robertson.

Perhaps a better analogy for his theology is that of Will Campbell, who died last month after famously counseling both the Ku Klux Klan and Dr. Martin Luther King.

Campbell was known for his tagline, “We are all bastards, but God loves us anyway,” and like Robertson, he frequently called himself a redneck and disliked the title of “preacher.” One of Robertson’s tales, in fact, sounds like it could come from a page in Campbell’s award-winning book Brother to a Dragonfly:

“I’m standing here under a sign that says, ‘Budweiser is the king of beers,’ and everybody’s got their beers here today,” I told them. “But I’m here to talk about the King of Kings. I know I might look like a preacher, but I’m not. Here’s how you can tell whether someone’s a preacher or not: if he gets up and says some words and passes a hat for you to put money in, that’s a preacher. This is free. This is free of charge, which proves I’m not a preacher.”

Staying In Touch With The Divine

After grappling for years with the meaning of prayer, Jan Vallone realized the simplicity of what a priest described to her as “conversation with God”:

I knew, absolutely, that I had felt God’s presence in my life. I’d catch my breath at a tangerine sunrise and whisper, “Thank you, God,” then be moved to smile at everyone I passed along the street. Or I’d be startled by an ambulance siren and think, God, please let that person live, then be prompted to write to my aunt who’d had a heart condition for years. Or I’d shriek when my daughter burned a skillet and wince thinking, God, why am I so testy?, then be spurred to take my daughter out to lunch.

So while I can’t sense Divine presence beyond the clouds or within me, I feel God close, and clearly, in unexpected moments like these—moments of awe, joy, fear, sorrow, or contrition. God captures my attention in these moments. I cry in recognition, feel a surge of heart. I respond with acts of love, often in spite of myself.

Are these exchanges conversations? I’d like to think yes. Thus, they’re no less prayers than the kinds I struggle with.

The Human Condition Isn’t A Disease

Ethan Richardson riffs on Marilynne Robinson’s essay from The Death of Adam, “Facing Reality,” a meditation on modern anxiety and the insights of traditional religion:

Robinson thinks…we have lost what the Bible calls “sin.” If every malady can be answered with a palliative, we have lost the depth and seriousness of our condition. By “medicalizing” a condition, we distance ourselves from the meaning of our suffering, as well as any real responsibility we might have in the matter. We do not feel the inner-pangs of Eden–we cotton them off with smaller doses of smaller problems. This makes us all the more anxious. I am reminded here of John Jeremiah Sullivan‘s phrase in his Michael Jackson essay, that we are inheritors of the “pathology of pathologization.” We, the Knowers, must call our sin small, long Latin names, and seek meliorative means to soothe the twitch. As Robinson says, we do need medicine for our anxiety–but we need more. “It may be necessary to offer ourselves palliatives, but is drastically wrong to offer or to accept a palliative as if it were a cure.”

Recent Dish on Robinson here.

The Sound Of The Sacred

Andrew Brown asked the rockstar and writer Patti Smith what makes music sacred:

[S]he replied that it was an entirely subjective process, and for her encompassed everything from a song her mother had sung to Jimi Hendrix singing “Are you experienced” and the noise of the swifts wheeling above the courtyard of her hotel. Her signature tune, Van Morrison’s Gloria, is a song about a girl that she sings as if it were about the glory of God, and incorporates the wonderful chilling howl: “Jesus died for somebody’s sins, but not mine”…

She talks a great deal about prayer, and about spirituality. But although I am sure I have read an interview in which she described herself as Christian once, what really sets her against conventional Christianity is not just her trampling blasphemy, but the optimism and democracy of her views and her cheerful pantheism. … When she’s playing it is only the power of her feelings that comes across. The context is so determinedly one of passionate transcendence that nothing else matters.

Recently, Maria Popova highlighted “Remembering Robert,” a spiritually-inflected poem from Smith’s collection, The Coral Sea, written in the aftermath of photographer Robert Maplethorpe’s death. It begins this way:

Blessedness is within us all
It lies upon the long scaffold
Patrols the vaporous hall
In our pursuits, though still, we venture forth
Hoping to grasp a handful of cloud and return
Unscathed, cloud in hand. We encounter
Space, fist, violin, or this — an immaculate face
Of a boy, somewhat wild, smiling in the sun.
He raises his hand, as if in carefree salute
Shading eyes that contain the thread of God…

Read the rest, and listen to a recording of Smith reciting the poem, here.