“Ye Are All One In Christ Jesus” Ctd

by Chris Bodenner

A knowledgeable reader of the Bible counters the conservative Christian trying to argue away the existence of trans people:

Moore’s deflection about epistemology vs. ontology is disingenuous; the trans question is inherently epidemiological. This isn’t about whether “man” and “woman” exist, but how you categorize someone as man or woman. Do you use genitals, genetics, brain structure (which science is finding is also sexed)? And what do you do with ambiguous characteristics? And people with both male and female characteristics?

What science is finding is that brain structure is the strongest, most resilient marker of sex. That makes sense, when you think about it. A man who loses his penis and testes doesn’t become a woman. A woman who has a mastectomy and hysterectomy doesn’t become a man. And people with ambiguous bodily characteristics still have brain structures that correlate with other men and women, and identify as such. The conclusion is that the strongest way to categorize a person’s sex is through neural analysis. Or, conversely, simply ask them what their sex is. That’s what trans activism is about. Medical transition, anti-discrimination laws – all that is aimed at correcting cases where sex was wrongly categorized. This isn’t “changing” someone’s sex, it’s confirming it.

None of this contradicts MathewMark, Genesis, or Genesis. The Bible argues that the sexes exist, and are created by God, but gives no indication of how to categorize them.

In fact, in Genesis 2.19, God tells Adam “whatever [he] called each living creature, that was its name”. (Tantalizingly, the next verse is the Bible’s first reference to ‘Adam’, implying that he also ‘named’ himself.) And, as Jonathan Merritt pointed out, the brain is just as natural and God given as the rest of the body. Other than that, its condemned by neither Leviticus or Lot, and in Isaiah 56, God promises ‘eunuchs’ who keep the Sabbath and the covenant:

to them I will give within my temple and its walls
a memorial and a name
better than sons and daughters;
I will give them an everlasting name
that will endure forever.

Incidentally, Isaiah 56 is called “Salvation for Others”. There is simply no Biblical case to be made against trans rights. Both Orthodox and Conservative Jewish leaders, who also follow Genesis regard homosexuality as a “transgression”, have ruled in favor of medical transition, and changing sex designation. For the trans question, while foreign to many, the theology is cut and dry about its status as sin.

The shame is that trans issues do raise a lot of interesting theological questions. (For example, what does this say about the relationship between brain, mind, and soul?) But that’s by comparing trans people to Legion, or by saying that trans people inherently disrupt the categories of male and female.

Ironically, Russell Moore is right; someone’s sex “can’t be eradicated by a change of clothes or chemical tinkering or a surgeon’s knife.” He’s just wrong about what side of the issue that puts him on.

Update from a reader on another version of the Bible:

Your knowledgeable reader writes “In fact, in Genesis 2.19, God tells Adam “whatever [he] called each living creature, that was its name”. (Tantalizingly, the next verse is the Bible’s first reference to ‘Adam’, implying that he also ‘named’ himself.)” Not true. Adam is named earlier; or rather, he is never named. In the Hebrew text he is always referred to simply as “the man” (Ha-adam). For some reason (perhaps the reason suggested by your reader) the King James Version starts calling him Adam at this point. What is interesting is that it is right after he runs out and names all the animals that he realises he needs a wife – and the first thing he does is to give her a name. (And, pace the KJ version, he doesn’t name her after himself.)

Another reader:

On the discussion of gendering and Christianity, I wonder if the following might not be a helpful tool for (or against) the conservative. In his essay “For You May Touch Them Not: Misogyny, Homosexuality, and the Ethics of Passivity in First World War Poetry,” James S. Campbell uses a quote by Emmanuel Levinas as an epigraph:

Perhaps … all these allusions to the ontological differences between the masculine and the feminine would appear less archaic if, instead of dividing humanity into two species (or into two genders), they would signify that the participation in the masculine and the feminine were the attribute of every human being. Could this be the meaning of the enigmatic verse of Genesis 1:27: “male and female created He them”?

Quote For The Day

by Matt Sitman

isherwoodqt

“To live sanely in Los Angeles (or, I suppose, in any other large American city) you have to cultivate the art of staying awake. You must learn to resist (firmly but not tensely) the unceasing hypnotic suggestions of the radio, the billboards, the movies and the newspapers; those demon voices which are forever whispering in your ear what you should desire, what you should fear, what you should wear and eat and drink and enjoy, what you should think and do and be. They have planned a life for you – from the cradle to the grave and beyond – which it would be easy, fatally easy, to accept. The least wandering of the attention, the least relaxation of your awareness, and already the eyelids begin to droop, the eyes grow vacant, the body starts to move in obedience to the hypnotist’s command. Wake up, wake up – before you sign that seven-year contract, buy that house you don’t really want, marry that girl you secretly despise. Don’t reach for the whisky, that won’t help you. You’ve got to think, to discriminate, to exercise your own free will and judgment. And you must do this, I repeat, without tension, quite rationally and calmly. For if you give way to fury against the hypnotists, if you smash the radio and tear the newspapers to shreds, you will only rush to the other extreme and fossilize into defiant eccentricity,” – Christopher Isherwood, from Exhumations.

(Photo by Johnny Ainsworth)

Fictionalizing The Foreclosure Crisis

by Matt Sitman

NPR interviews Patrick Flanery about the backdrop to his new novel, Fallen Land, a thriller that “plays out in a half-built subdivision where construction ground to a halt during the housing crisis”:

I came to thinking about the housing crisis as the natural setting for the story that I wanted to tell. Because I had this vision of somebody who was in a house that was no longer theirs. And it seemed logical to set it against the backdrop of the housing crisis and think about how that was affecting very different kinds of people and the very different situations they find themselves in after foreclosure auctions and things like that…

I wanted the book to speak to a kind of crisis in neighborliness, and thinking about the ways in which people are becoming so inward-looking, and the ways in which it’s incredibly easy — I think in part because of technology — not to think about what’s happening around us. And that’s not just thinking about security but thinking about who needs help. So it’s almost about a crisis of empathy with the people that we should be looking out for but who we fail to look out for in fairly fundamental ways.

Matt Hartman finds the political and social context of the novel an occasional liability. He observes that, in the first couple pages, the book touches upon “the prison-industrial complex, suburban sprawl, strip malls, the prevalence of fast food, industrial farming, and obesity”:

Fallen Land is a sprawling novel about a sprawling house, built in an unnamed state in America’s heartland, and the three generations who owned the land the house sits upon. The novel is unquestionably a novel of the housing crisis, intently focused on the places we make our homes, the machinations that keep us there or force us out against our will, and the connections to the land we’ve gained and lost in the process.

The problem with Fallen Land is that Flanery takes these issues to be novel, as though by speaking of them at all he is “revealing new surfaces for growth.” His everyman character, Nathaniel Noailles, works for a private security firm that concocts ways to increase the profits from their prison labor system. Though this is certainly a crucial issue for America, Flanery approaches the topic without the irony someone like Don DeLillo has used to such great effect, and as a result his earnestness becomes heavy-handed, especially early in the work.

Saints On Display

by Matt Sitman

Relic Display

Jason Byassee pens a Protestant appreciation of relics, or the bones and possessions of Christian saints, arguing that to reject them puts you “dangerously far away from the presence of one whose resurrection was so unbearably physical that it will draw our bodies from their graves too one day”:

The church in the Middle Ages built elaborate reliquaries for bones, clothes, and other physical objects related to the bodies of the saints. The reason was simple: saints are those on whom God has provided an especially gracious dose of holiness. In a faith like ours that is built on the incarnation, holiness comes not despite but through the physical body. The great Peter Brown’s book on this, The Cult of the Saints, shows that ancient Christians’ veneration of bodies came in marked contrast to their pagan and Jewish neighbors. Both rival groups viewed the dead as unclean in a way that was contagious for those who came in contact with them. Christians, on the other hand, viewed the saints as holy and their dead bodies or earthly possessions (see here Acts 19:12) as making others holy. So rather than flee cemeteries, we Christians built churches on top of them.

He continues:

To some extent, we are our bones. What we do with the bones of those before us shows who we are. We shouldn’t treat them like talismans, as though independent of our own pursuit of biblical holiness they can magically whisk us into heaven. Neither should we denigrate them. We should honor them, even, to use ancient Christian language, venerate them. I remember seeing the top-hat of President Lincoln in his museum in Springfield, Illinois, with two fingermarks worn clean where he used to doff the thing. I felt my heart bow. How much more in the presence of the body of a holy one?

(Image by Ramón Cutanda López.)

What Your Smile Says About You

by Matt Sitman

Kevin Corcoran reviews Christopher Peterson’s Pursuing the Good Life: 100 Reflections on Positive Psychology, noting these insights into happiness:

Peterson references a study of 114 photographs from a late 1950s women’s-college yearbook. Researchers studied the faces of the women pictured. All but a few were smiling, but of those who were smiling, only some showed evidence of what is called a “Duchenne” smile (named after Guillaume Duchenne, a French physician who discovered that smiles indicative of joy and happiness engage muscles around the eyes as well as those around the corners of the mouth; fake or forced smiles do not produce crinkles around your eyes like involuntary or Duchenne smiles do). Decades after the yearbook photos, researchers could predict which of the women were married and, of those, which were satisfied with their marriage. And yes, you guessed it: those who were both married and happy wore a Duchenne smile in their yearbook picture. Moreover, another study, this time of photographs of major league baseball players from the 1952 season, showed that those players who did not smile at all lived, on average, 72 years. Those who showed evidence of Duchenne smiles lived, on average, 80 years. Now, the claim is not that Duchenne smiling causes you to live longer. The claim is that a genuine Duchenne smile is an indicator of happiness and, apparently, longevity.

Face Of The Day

by Jessie Roberts

dish_FOTD21

For his Stardust project, artist Sergio Albiac combines portraits with images from the Hubble telescope. David Becker explains how you can take part:

1. Upload a frontal face image of yourself to your Google Drive account.

2. Share the image with Albiac via his email address: stardustportrait@gmail.com.

3. Wait a couple of days for quality control. If your portrait is suitable, Albiac’s algorithms will merge it with Hubble images to create three different montages that emphasize the cosmic dust from whence we all come. Results will show up in your Google Drive account and on the project’s Flickr page, unless you opt out of the Flickr part.

(Photo by Sergio Albiac)

Spiritual Concerns

by Jessie Roberts

Mary Ruefle, whose work the Dish recently featured, responds to an interview question about the role of spirituality in her work:

My preoccupation with God—what you call the theological—is not aesthetic—that would be awful! Any art[ist] who encounters the spiritual in their work is driven to do so out of a genuine preoccupation with existence, with being. At least I hope so. I am not religious in the traditional sense of the word—I do not belong to a church, or practice any one of the numbers of ritualistic belief systems. But I am interested in them all, and I find in each something of essence. As for poetry, of course it is a spiritual practice, in so far as it celebrates or laments the human spirit, in so far as it is always deeply curious about something—it could be language, or the natural world, it could be the absurdities of culture, or human beings in general or in specific—how to live, what to do, these are the questions of poetry. Environmental concerns—they are ultimately spiritual ones; if you are interested in how persons will experience the world in the future, well, that’s something you can’t see. What is the point of recycling if you don’t have faith that it is the right thing to be doing? That it impacts something you can’t see and don’t understand.

Fatherly Writing Advice

by Matt Sitman

Brian Doyle reflects on becoming a writer:

In almost every class I am asked how I became a writer, and after I make my usual joke about it being a benign neurosis, as my late friend George Higgins once told me, I usually talk about my dad. My dad was a newspaperman, and still is, at age 92, a man of great grace and patience and dignity, and he taught me immensely valuable lessons. If you wish to be a writer, write, he would say. There are people who talk about writing and then there are people who sit down and type. Writing is fast typing. Also you must read like you are starving for ink. Read widely. Read everything. Read the Bible once a year or so, ideally the King James, to be reminded that rhythm and cadence are your friends as a writer. Most religious writing is terrible whereas some spiritual writing is stunning. The New Testament in the King James version, for example.

Note how people get their voices and hearts and stories down on the page. Also get a job; eating is a good habit and you will never make enough of a living as a writer to support a family. Be honest with yourself about the size of your gift. Expect no money but be diligent about sending pieces out for publication. All money is gravy. A piece is not finished until it is off your desk and onto an editor’s desk. Write hard and then edit yourself hard. Look carefully at your verbs to see if they can be energized.

Recent Dish on writing advice here.

Laughter Is His Only Lord

by Matt Sitman

In an interview, Paul Provenza, a standup comedian and atheist, reflects on the figures who influenced his approach to both religion and his routine:

Even though George Carlin never self-identified as an Atheist, his perceptions on critical thinking had a profound influence [on] me. When I was a young comic just starting out, I was very cautious, as I didn’t want to alienate people. George Carlin’s bravery became a benchmark. I became perfectly fine with alienating some people in the audience. That just comes with the territory. I had a conversation once with George Wallace after a show where, as usual, he won everyone over in the room with such fervor. I wondered how he was always able to create such a love in the room and asked him what his motivation was in doing comedy in the first place. He said, “I just want to make them happy that they were in the room that night.” That’s when I realized what I really wanted for the audience was for them to get into arguments on the car ride home. I’m not sure why, but that just makes it more interesting for me.

His take on how comedy can upend conventional beliefs:

Comedy is inherently subversive because it turns the normal reality on its head. The art form is all about these questions and contradictions. In comedy, we’re dealing with language that we all understand, but words can have a dozen other things around them that alter or affect meaning. Andy Kaufman was a great example of this dynamic. What made him the Picasso of stand-up comedy is that he played with two- and three-dimensionality, in a way. Part of what made Andy so funny is that half the audience didn’t understand what was going on, which was the “punch line” for the other half of the audience. He moved the joke from being onstage to being the experience of it in the audience.