Safety In Sharing?

Ben Popper observes that the success of stranger-friendly start-ups like Lyft, TaskRabbit, and Airbnb coincides with a drop in serial murders:

Collectively these companies have raised over $200 million in funding to power what’s known as the “sharing economy.” But there was time not so long ago when the idea of interacting so freely with complete strangers would have made many Americans much more uncomfortable. “There was a cultural moment during the ’70s and ’80s where the dominant boogieman was the serial killer. This figure crystallized our worst fears, and walked among us,” says Harold Schecter, a professor at Queens College and a true-crime writer.

A 2011 study, “Extreme Killing: Understanding Serial and Mass Murder,” found that the number of serial killers in the United States began rising in the 1960s, peaked in the 1980s, and has been falling ever since. “There is definitely an intriguing connection between the decline of serial killers and the rise of this sharing culture,” says Schecter, “These startups reflect how much our anxieties have eased.”

So Nothing Major Happened, Right?

leavesofgrass

Yep, I’m wrestling myself out of a ten-day web moratorium – no emails and no online reading at all. Alas, I didn’t make it to Burning Man. The sinus infection that has been dogging me since Dusty died wouldn’t quit even after two rounds of antibiotics. It seems to be on the way out now – but it wasn’t such a brilliant idea to go into the Nevada desert feeling sick and tired and phlegmy. So I stayed and chilled and slept up to 12 hours a night and read a book, believe it or not.

Two big events happened – confirmation of a horrifying chemical attack in Syria abroad and the intellectual epiphany of Joseph Bottum at home. I found the Dish’s coverage of Syria to be indispensably succinct and wide-ranging, along with the post directly below. The Dish’s coverage of the Bottum essay (my thoughts to come) was equally among the best on the web. I have too many thoughts about both questions in my head to scribble them down now, but will tackle them tomorrow.

A huge thanks to my Dish colleagues for blogging so aggressively and entertainingly while I took a breather. You have a sense right now, I hope, of the young men and women who help create the Dish every day. I’m in awe of them. They act as a human intellectual filter for everything online – made possible by your subscriptions and continued support. And if you haven’t subscribed yet, and want to support this young, but maturing talent, [tinypass_offer text=”you know what to do”].

See you in the morning.

Obama Asks Congress For A New War: Reax

by Patrick Appel

Obama’s Saturday speech declaring his intention to attack Syria and to request Congressional approval beforehand:

Amy Davidson applauds Obama’s decision to get Congress’s input before attacking Syria:

This may be the first sensible step that Obama has taken in the Syrian crisis, and may prove to be one of the better ones of his Presidency—even if he loses the vote, as could happen. Politically, he may have just saved his second term from being consumed by Benghazi-like recriminations and spared himself Congressional mendacity about what they all might have done.

Fallows is also happy that Congress will get its say:

This is the kind of deliberation, and deliberateness, plus finding ways to get out of a (self-created) corner, that has characterized the best of his decisions. It is a very welcome change, and surprise, from what leaks had implied over the past two weeks.

Larison hopes that Congress will vote against using force:

Presumably, Obama is gambling that he can cow Congress into granting authorization by having publicly committed the U.S. to military action. When presidents have gone to Congress to seek this kind of authorization, they have typically received it and usually by a large margin. I am cautiously hopeful that there are enough members in the House at least that know how deeply unpopular war with Syria is that this will not be the case this time, but I fear that few Democrats will be willing to vote against the White House and too many Republicans will be only too happy to vote yes. If members of Congress judge the proposed attack in terms of U.S. interests or international law, they should definitely reject it. If they judge it in terms of bogus “credibility” arguments or an obsession with wounding Iran, I am less sure that most of them will vote no.

Barro believes that the House might reject Obama’s request for intervention:

Democrats: In the current political environment, they have little reason to think voting against an attack will make them look “soft on terror,” which is what they were most afraid of during the Iraq authorization vote 10 years ago. But they have good reason to fear the Hillary example: voting yes could cost them a primary election if things go wrong.

Republicans: War hawks are a far weaker force in GOP politics than they were 10 years ago. You don’t have to be Ron Paul to defend a skeptical position on intervention anymore. And it’s not that hard to make a case to a Republican primary electorate for why you opposed one of Barack Obama’s initiatives.

Julia Ioffe notes that Obama isn’t rushing the vote:

Obama has clearly learned something from Cameron’s blunder: he’s not rushing this thing. Cameron was dealing with an incomplete Parliament, as some MPs just didn’t bother to come back for the vote. He didn’t spend the time laying out his case, lobbying and whipping the vote in to shape. Obama, by contrast, is not summoning Congress back early. He’s scheduled a second briefing with lawmakers, and there have been reports that he is already personally lobbying the people in his party, like Carl Levin, who have been skeptical of intervention in Syria.

Fisher worries about the delay:

The U.S. Congress is not known for its speed with urgent issues – particularly ones that come during their vacation. It is also not an institution known for compromise or cooperation on issues that are, like this one, daunting, difficult and that have few political upsides. Whether or not you think that off-shore strikes are a good idea, this adds more delays and uncertainty after a week of both. It increases the likelihood, probably already significant, that the Assad regime will see the international community as unable or unwilling to hold him accountable. If strikes are likely to happen anyway, the uncertainty is not good for Syria. And if they don’t happen, Syria would have likely been better off if the U.S. had never signaled otherwise in the first place.

David Rothkopf has similar fears:

If the administration persuades Congress to support military action, it will be seen as a victory for the president, to be sure. But it may also have given the Assad regime another two or three weeks to redeploy assets and hunker down — so that the kind of limited attack currently envisioned has even more limited consequences.

Jack Goldsmith differs:

I am still unconvinced that military action in Syria is a good idea.  And there will be those who complain that the President’s request to Congress harms presidential power, or hurts our tactical position vis a vis Syria (because of the delay, etc.), or reflects poor planning, and the like.

The President is indeed still in a pickle.  But in light of the constitutional questions, the lack of obvious support in the nation and Congress, and the risks of sparking a broader conflict in the Middle East, and for the other reasons I stated in my post last week, it would have been terrible for the President and the nation if he had engaged in strikes in Syria without seeking congressional approval.

Michael Scherer and Zeke Miller report that Obama may ignore Congress’s decision:

Obama’s aides made clear that the President’s search for affirmation from Congress would not be binding. He might still attack Syria even if Congress issues a rejection.

Greenwald pounces:

It’s certainly preferable to have the president seek Congressional approval than not seek it before involving the US in yet another Middle East war of choice, but that’s only true if the vote is deemed to be something more than an empty, symbolic ritual. To declare ahead of time that the debate the President has invited and the Congressional vote he sought are nothing more than non-binding gestures – they will matter only if the outcome is what the President wants it to be – is to display a fairly strong contempt for both democracy and the Constitution.

Drum doubts that Obama would defy the will of Congress:

As for whether or not Obama will go ahead with an attack even if Congress rejects it, I can hardly imagine he would. Am I wrong about that? Is there even the slightest chance he’d go ahead even if Congress votes against it?

Judis is concerned about Congress voting against action:

If he loses, and unlike Cameron, goes ahead anyway, he will increase his troubles at home. Cries of imperial presidency will be heard. But equally important, the military action he undertakes will have less intentional force behind it. One reason why a military strike could deter Syria’s Bashar al Assad from further use of chemical weapons, and perhaps even contribute to a negotiated settlement, is that Assad would have to fear that if he were to escalate in response to the American action, the United States would escalate in kind. But if Obama appears embattled at home, and barely able to act, that threat will not be as credible, and the American action may be less likely to accomplish its objective of deterring Assad.

And Bruce Riedel feels that the “President’s decision to ask for a Congressional mandate should also serve as a precedent for any decision to use force against Iran to halt its nuclear weapons project”:

A war with Iran would be vastly more dangerous and costly than one with Syria, even if both are intended to be limited. Wars always have unintended consequences. If time permits, the people’s representatives should be part of the decision to take on the risks of action. President George H.W. Bush did that before the liberation of Kuwait. As a senior intelligence officer, I spent days explaining the CIA’s estimates of the risks to the Congress. The process sharpened our analysis. There are no good options in Syria. Sliding into the conflict by baby steps and partial measures is the worst approach. Even worse would be to do so without a national debate and Congressional action.

The Philosophy Of Bitcoin

by Jessie Roberts

Brett Scott draws on Rousseau and Hobbes to explain Bitcoin:

Bitcoin has one very interesting attribute and, to understand it, we should look to the theoretical disagreement between the Enlightenment political philosophers Thomas dish_bitcoin Hobbes and Jean-Jacques Rousseau. Hobbes was a pessimist. In order to escape the ‘war of all against all’ that he believed was the natural state of human existence, he thought that individuals ought to submit to the will of a central sovereign who could act as arbitrator in disputes. We’ve traditionally associated this with political authoritarianism, but it also serves quite well as a description of mainstream money. Most of our money nowadays is electronic, ‘stored’ in an oligopoly of private banks that are themselves connected via a central bank. We rely on these institutions to keep an accurate score of our electronic money. Brett has £97, they say. Trust us, we have it recorded in our IT database.

Rousseau had the radical idea that Hobbes’s arbitrator needn’t be a single dictator or oligarchy. Instead, it could be the collective, or the general will. So it goes with Bitcoin. In place of a centralised, hierarchical group of banks keeping score of the money, a decentralised network of individuals records every transaction on a virtual ledger called the blockchain. Brett has 3.8462 BTC, the network says. We’ve collectively kept score of that. In this scenario, my ‘account balance’ is less like the ruling of a sovereign and more like the result of a popular democratic vote, mediated via a computer network.

(Photo by Flickr user BTC Keychain)

Face Of The Day

by Chris Bodenner

at the Canadian International Air Show that closes out the final weekend of the Canadian National Exhibition

A spectator watches as the Canadian Forces Snowbirds leave nine smoke trails as they finish their performance during at the Canadian International Air Show that closes out the final weekend of the Canadian National Exhibition at CNE Grounds in Toronto on September 2, 2013. By Steve Russell/Toronto Star via Getty Images.

Capitalism Goes To College

by Jessie Roberts

Thomas Frank rails against the role of financial interests in higher education:

What actually will happen to higher ed, when the breaking point comes, will be an extension of what has already happened, what money wants to see happen. Another market-driven disaster will be understood as a disaster of socialism, requiring an ever deeper penetration of the university by market rationality. Trustees and presidents will redouble their efforts to achieve some ineffable “excellence” they associate with tech and architecture and corporate sponsorships. There will be more standardized tests, and more desperate test-prep. The curriculum will be brought into a tighter orbit around the needs of business, just like Thomas Friedman wants it to be. Professors will continue to plummet in status and power, replaced by adjuncts in more and more situations. An all-celebrity system, made possible by online courses or some other scheme, will finally bring about a mass faculty extinction—a cataclysm that will miraculously spare university administrations. And a quality education in the humanities will once again become a rich kid’s prerogative.

And so we end with dystopia, with a race to the free-market bottom. What makes it a tragedy is that President Obama is right about education’s importance. Not because college augments our future earning power, or helps us compete with Bangladesh, but because the pursuit of knowledge is valuable in its own right. This is why every democratic movement from the Civil War to the 1960s aimed to bring higher ed to an ever widening circle, to make it more affordable. Ours is the generation that stood by gawking while a handful of parasites and billionaires smashed it for their own benefit.

(Hat tip: Sue Halpern)

A Marvel Of A Rhyming Novel

by Matt Sitman

The late David Rakoff’s posthumously released novel, Love, Dishonor, Marry, Die, Cherish, Perish, is written entirely in rhyme. Heller McAlpin sets up the clip above, a reading from the book:

Rakoff saves his most scathing jabs for the perpetually discontented social climber, Susan, who, after ditching her Oberlin boyfriend for his more-likely-to-succeed best friend Josh, cruelly asks cuckolded Nathan to toast them at their garishly opulent Great Neck wedding. His valiant — but, fortunately, not entirely successful — effort to keep his bitterness in check results in a fabulous tangled allegory about a tortoise and a scorpion — whose “nature” it is to stab. This toast — part of NPR’s First Read and recorded as part of an episode of This American Life before Rakoff died — deserves to become a classic.

Emily Landau lauds the humorist’s moral worldview:

To understand Rakoff’s ethics, you must first understand his anxiety, a condition that underlined everything he wrote, and could easily have put him at a disadvantage. After all, optimism, liberalism, and self-actualization form the core of American values; anxiety is seen as a character flaw. For Rakoff, though, anxiety and its attendant pessimism were just as valid as optimism. “Defensive pessimism is about sweating the small stuff, being prepared for contingencies like some neurotic Jewish Boy Scout, and in doing so, not letting oneself be crippled by fear,” he wrote in Half Empty.

He was not, however, a nihilist. His melancholia was vaguely romantic, as though some scientist had swirled Heathcliff’s DNA in a petri dish with Tevye the dairyman’s. Rakoff’s essays were elegantly drawn and ordered, tinged with empathy, courage, and a shred of hope.

Previous Dish coverage of Rakoff here.

Correction Of The Day

by Chris Bodenner

“An article last Sunday about the documentary maker Morgan Spurlock, who has a new film out on the boy band One Direction, misstated the subject of his 2012 movie “Mansome.” It is about male grooming, not Charles Manson. The article also misspelled the name of the production company of Simon Cowell, on whose “X Factor” talent competition show One Direction was created. The company is Syco, not Psycho,” – NYT.

Ware’s World

by Jessie Roberts

Simon Willis profiles Chris Ware, getting to the root of the graphic novelist’s talent:

He has a theory that crystallised on the page in “Jimmy Corrigan“. Comics, he says, are meant to be read and not, like fine-art drawings, looked dish_ware at. He wants his drawings to tell stories, “like typography on a page”. It’s about visual clarity but also emotional clarity. “Jimmy Corrigan” was planned as a short exercise in emotional truth-telling, to see if he could make pictures that meant what they said without “the taint of irony”. And never having met his father, he hoped, as he wrote later, that once the story was finished “I would have ‘prepared’ myself to meet the real man”. That short exercise turned into a 380-page graphic novel which took seven years. …

The book combined emotional subtlety with a complex structure. Ware reduced his characters to simple dots, dashes and smooth lines. At art school he’d been ridiculed by classmates for taking a life-drawing class each semester, but it paid off. With a stroke or two, he could show how emotions disclose themselves on the face or in the sag of a shoulder. Then there was the layout. He worked with a strict grid of squares, varying from a few centimetres to whole pages. “I thought of it musically,” he told me. “I was listening to a lot of Brahms at the time—sorry, this sounds so pretentious, but it’s true—and I remember feeling that I wanted to produce that sensation on the page, with a large image, and then something much more lyrical and textural, and then into a sweeping passage, and then focusing down into a point. I feel that music does that better than anything; it captures that weird sensation of writing one’s thoughts, that course of consciousness.”

(Photo of Ware’s work by Flickr user annulla)