Colin Marshall spotlights Memento director Christopher Nolan’s first short film, Doodlebug:
“The depths of insanity are explored by a man chasing something in his apartment with a shoe,” promises the video description of the three-minute Doodlebug. In the center of this shadowy, paranoid tale we have Jeremy Theobald, who would go on to star in Following (and appear as a Gotham Water Board Technician in Batman Begins). Nolan shot it back in his days studying English literature at University College London, a school whose film society he led and which he chose expressly for the availability of its cameras and editing gear. His early, handmade pictures have become even more fascinating to watch in light of his declarations in a DGA Quarterly interview that he far prefers shooting in film to shooting digitally, and that 3D technology hasn’t much impressed him. But he hardly disdains spectacle, and the article contains a good deal of talk about how he uses CGI and crafts action sequences.
Over the years, Nolan’s core enthusiasms seemingly haven’t changed; even Doodlebug, especially by student-film standards, has some pretty cool special effects.
The Dish 