Nicholas Johnson, the author of Negroes And The Gun, explains what motivated him to write the book:
The black tradition of arms has been submerged because it seems hard to reconcile with the dominant narrative of nonviolence in the modern civil-rights movement. But that superficial tension is resolved by the long-standing distinction that was vividly evoked by movement stalwart Fannie Lou Hamer. Hamer’s approach to segregationists who dominated Mississippi politics was, “Baby you just got to love ’em. Hating just makes you sick and weak.” But, asked how she survived the threats from midnight terrorists, Hamer responded, “I’ll tell you why. I keep a shotgun in every corner of my bedroom and the first cracker even look like he wants to throw some dynamite on my porch won’t write his mama again.”
Like Hartman Turnbow, Fannie Lou Hamer embraced private self-defense and political nonviolence without any sense of contradiction. In this she channeled a more-than-century-old practice and philosophy that evolved through every generation, sharpened by icons like Ida B. Wells, W. E. B. Du Bois and Daisy Bates, pressed by the burgeoning NAACP, and crystalized by Martin Luther King Jr.
The Dish 