A Short Story For Saturday

The avant-garde writer Yi Sang’s dreamlike 1937 short story Child’s Bone (pdf) – one of 20 modern Korean classics now available free online – opens dramatically:

This is the scene that my feelers detect.

After a long period of time I open my eyes to find myself on my own, lying in a neat, empty room on the city’s outskirts. When I look around me, the room settles like a memory. The window is dark.

Soon after, I’m shocked to discover a suitcase that I must guard. I also discover a young woman placed like a potted plant beside the suitcase.

When I continue to look at this strange sight, would you believe it, she gives me a smile! Ha ha, this I remember. I think hard. Who is it that loves this woman? While I’m still thinking, I start by asking, “Is it dawn? Or is it dusk?”

She nods and then smiles again. Her skirt and jacket, which are suitable for May, swish as she opens the suitcase. She takes out a gleaming knife.

Keep reading here (pdf). Check out previous SSFSs here.

The View From Your Window Contest

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You have until noon on Tuesday to guess it. City and/or state first, then country. Please put the location in the subject heading, along with any description within the email. If no one guesses the exact location, proximity counts.  Be sure to email entries to contest@andrewsullivan.com. Winner gets a free The View From Your Window book or two free gift subscriptions to the Dish. Have at it.

Conned

Walter Kirn’s new book Blood Will Out is an account of his friendship with the conman and murderer Christian Karl Gerhartsreiter, who charmed many in high society under the alias Clark Rockefeller. In an excerpt from the book, Kirn considers the place of the impostor in the American imagination – and his own complicity in “Rockefeller’s” deception:

The kidnapping, which made international news and later inspired a TV movie, exposed Clark Rockefeller as a fraud, the most prodigious serial impostor in recent history. It also connected him to a lineage older, and in a certain fashion richer, than that of the founding family of Standard Oil: the shape-shifting trickster of American myth and literature. In Melville’s The Confidence-Man: His Masquerade, this figure takes the form of a mutating devil aboard a riverboat who feeds on his fellow passengers’ moral defects. In Huckleberry Finn, he again stalks the Mississippi River as the Duke and the Dauphin, flamboyant mock aristocrats whose swindles are cloaked in Elizabethan claptrap. In The Great Gatsby he’s a preening gangster sprouted from a North Dakota farm boy. In Patricia Highsmith’s Ripley novels he’s a murderous social-climbing dilettante. In Joseph Heller’s Catch-22 he’s Milo Minderbinder, the blithe wheeler-dealer who’d blow up the world if he saw a profit in it. He’s the villain with a thousand faces, a kind of charming, dark-side cowboy, perennially slipping off into the sunset and reappearing at dawn in a new outfit.

But if Clark was all that (I’d learn after the trial that he understood his literary provenance and took great pride in it), then what was I?

A fool. A stubborn fool. When his story began to unravel during the manhunt, and the Rockefellers claimed not to know him, I told a fellow reporter that they were lying, a family of cowards running from a scandal. I only backed down when his German name was published and the word Lebensraum echoed through my head. The disclosure unsettled me but it also softened me, especially when more facts about his background trickled out in the days after his capture. I too had a German name and German blood, and I’d spent a summer during college living in Bavaria, his home province. I was 18 then, about the same age he was when, in 1979, two years before my stay in Munich, he left the small town of his youth for the United States. I’d left my own small town that year, for Princeton. I knew the yearning. No wonder we’d been friends.

Laura Miller calls the work “an absorbing spectacle of self-surgery,” detailing the psychology of the mark as well as that of the con man. Meanwhile, Meg Wolitzer shivers:

[T]he way Kirn tells it all makes me feel it’s entirely possible that I too might’ve allowed Clark Rockefeller to stay in my life because of a kind of lazy vanity and the pleasurable, ongoing thought that a really rich and powerful person likes me – despite the fact that I don’t like him at all. Even as the absurdities mount up, I could still imagine passively allowing a joyless friendship to continue. Life can feel so ordinary. You get up in the morning, you go to work, you pay taxes like all the other poor schlubs. The idea that someone in your midst doesn’t have to do any of that opens up a little fantasy door in the brain, a door unlocked by a pathetic magic key.

Translation As Performance

Lucas Klein thinks that’s the best way to understand his work:

A performer needs to know the lines or the score or the dance she or he is performing, which covers the accuracy, and also do so in a way that the audience can appreciate, which means acceptability. There’s no limit to how many performances of a certain piece there can be, nor is there any confusion between concrete performance and the abstract “artwork” it is performing – even reading the script of a play creates a certain kind of performance in the mind of the reader. This also highlights the fallacy behind the statement, common amongst readers of more than one language who do not themselves translate, that they prefer the original to the translation (or the other way around). That’s like saying, “I like Hamlet written by Shakespeare better than Hamlet directed by Kenneth Branagh.” Performances can only really be compared to other performances.

Previous Dish on translation here, here, and here. More on Holly Maniatty, the ASL translator/performer above, here.

Beyond DADT

A report by a commission led by former Surgeon General Joycelyn Elders (pdf) finds there is no good rationale for a transgender ban. Nathaniel Frank, author of Unfriendly Fire: How the Gay Ban Undermines the Military and Weakens Americalooks into the history behind it:

The ban on transgender military service is really a string of different restrictions left over from a time when anything outside a straight and narrow norm was regarded as a mystifying and dangerous difference. Defense Department medical standards disqualify applicants with “major abnormalities or defects of the genitalia such as change of sex,” as well as what the Pentagon calls “psychosexual conditions,” which include “transsexualism, exhibitionism, transvestism, voyeurism, and other paraphilias.”

The trans restrictions are embedded, for the most part, in medical regulations whose purpose is perfectly sensible: to minimize the chances that anyone who joins the military will endanger the health of the force, lose excessive duty time, or become undeployable. (They are not, interestingly, expressed in the same terms as the DADT restrictions, which presumed that openly gay troops would so disturb other service members that they would leave or that unit cohesion would suffer.) But when the commission looked into the rationale for including transgender identity and trans-related medical procedures in the list of disqualifiers to service, they made two important discoveries—that the restrictions are hugely out of date, and that there is no documented history of why they ever existed in the first place.

A Poem For Saturday

subway

Dish poetry editor Alice Quinn writes:

Poetry in Motion, the program placing poems on subways and buses, is co-sponsored in New York by the Poetry Society of America and MTA Arts for Transit & Urban. Right now, this poem by Jim Moore is one of two appearing in train cars and buses and on the back of MetroCards and on taxi screens, too.

I remember my mother toward the end,
folding the tablecloth after dinner
so carefully,
as if it were the flag
of a country that no longer existed,
but once had ruled the world.

Today and in the days ahead we will feature other gems from Moore’s most recent book, Invisible Strings.

From “Love in the Ruins” by Jim Moore:

Survived

another winter: my black stocking cap,
my mismatched gloves,
my suspicious, chilly heart.

(From Invisible Strings © 2011 by Jim Moore. Used by kind permission of Graywolf Press. Photo by Randy Pertiet)

Making Scents

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Emily Gould reviews Barbara Herman’s recent book, Scent and Subversion: Decoding a Century of Provocative Perfume:

The story is about evolving gender roles and societal norms, from the smoky, sharp, groundbreaking fragrances of the twenties all the way to the watery, unisex “office smells” of the nineties, and beyond. But it’s not as simple as the story of feminine scents turning more masculine (Charlie!) then turning unisex (L’Eau d’Issey). According to Herman, when you pay attention to the narrative of how perfume actually smells, rather than how it is marketed, the story becomes delightfully non-linear.

A chief example of this complexity is in Herman’s chapter on the nineteen-forties, when Femme was born. Herman gives the impression that this was a particularly confusing time to try to figure out how to smell. For the first half of the decade, women had to go to work in factories to support the war effort, and, when men came back, women were supposed to happily return to their kitchens. It was a moment when fashion enforced a cartoonish, almost camp femininity: think crinolined, wasp-waisted dresses. But, according to Herman, women’s perfume belied the New Look, or at least underscored its artificiality. She points to the “butch, leather-clad masculinity” of Bandit and the “aggressive, almost-drag femininity” of Fracas to demonstrate that women now at least knew that they were capable of playing multiple roles.

(Image of vintage perfume ads via Love My Dress)

The Adult Case Against Homework

J.D. Tuccille considers the effects of having too much work outside the classroom:

A study, published last year in the Journal of Experimental Education, takes a dim view of the heavy workloads under which high school kids in “10 high-performing high schools in upper-middle-class communities” stagger. Results indicated that students in these schools average more than three hours of homework per night. Students who did more hours of homework experienced greater behavioral engagement in school but also more academic stress, physical health problems, and lack of balance in their lives. Which is to say, even if you think that homework can be a good thing, there’s a limit. More is not better, say researchers from Stanford University, Lewis and Clark College, and Villanova University.

Granted, those “upper-middle-class communities” may not be the most broadly representative; the average American high schooler spends about an hour and a half on homework per day. But as Misty Adoniou points out, even modest amounts of homework may widen achievement gaps:

Research finds that homework doesn’t improve learning outcomes in primary school, and has a weak link to improved outcomes in junior high school. Those improvements are connected to parental involvement – but parents who are keen supporters of homework may be disappointed to hear that their positive contribution is largely just ensuring their children hand in their homework. …

There are many parents, dedicated and desperately interested in their children’s education, who cannot involve themselves in their children’s homework. They may not have had schooling opportunities themselves, they may speak English as an additional language, they may work long hours or shifts, or they may just be like most of us, and simply can’t remember what a quadratic equation is. Those with spare cash buy the homework support, in the form of after hours tutoring. In high school, where homework tasks contribute substantially to the course grade, homework is the great unequalizer.

Is SF Overtaking NYC?

In New York magazine, Kevin Roose suggests that “in many ways, San Francisco is the nation’s new success theater”:

It’s no secret that New York is having a bit of an identity crisis these days. Wall Street lost its swagger during the crash and hasn’t gotten it back despite the market’s broader recovery. Big banks are adding employees in Bangalore and Salt Lake City while cutting them in Manhattan. New York City’s budget wonks expect the city to add only 67,000 jobs this year, a sluggish number that faster-growing cities like Denver and Austin will look upon with pity. The city’s culture seems to be changing, too: Greenpoint and “normcore” are in, stilettos and pinstripes are out; junior bankers now get Saturdays off; “work-life balance” is no longer a euphemism for sloth.

Meanwhile, certain pockets of San Francisco have become the sort of gilded playground that New York once was. Brand-new Teslas with vanity plates like DISRUPTD drift down the streets of the Mission District, where pawnshops and porn stores used to be. Paper millionaires spend their nights at the Battery, a members-­only club with a tech-heavy roster and a $10,000-per-night penthouse suite. … It’s the city where dreamers go to prove themselves – the place where just being able to afford a normal life serves as an indicator of pluck and ability.

In SFist, Jay Barmann retorts:

I’m still not clear on the part about how we “don’t quite know what to do with [our] wealth,” apart from the digs about how SF men don’t dress up very much. We clearly spend all of our money on rent, food, and booze, and many of us do buy nice clothes and cars and things, and those with lots of money go buy houses in Napa or in Tahoe. But it’s true, we are less inclined to embrace asshole behavior, unapologetic displays, and the giddy capitalist fervor that has made Manhattan a bohemia-free retail Disneyland where no one ever thought twice about bulldozing a building to build something newer and bigger.

It’s hard if you’ve lived in both cities not to compare them, but I would argue that while most San Franciscans might long for the nightlife of certain eras of New York’s past, they’ve never wanted the city to become New York. And while many a trapped New Yorker who has visited or lived here dreams of an easier life in the west, they usually resign themselves to the fact that economically, and career-wise, there isn’t enough happening here. If that changes permanently, and there are more and more opportunities here, what excuses will they have left for staying in New York?