In Search Of Intelligent Life

David Berreby spoke with Denise Herzing, a dolphin researcher who recently wrote a paper explaining the need for “a non-human biased definition and measure of intelligence.” How this will help as we explore the universe:

“I was thinking in terms of, Well, why do we want to know this, anyway?” Herzing told me. We might find a splendidly complex creature out there that has no interest in being sociable with its would-be friends from Earth. Grasping this could help us avoid unpleasant misunderstandings—like that moment at the end of Stanislaw Lem’s novel “Fiasco” where an astronaut, having hacked away at some unsightly mounds on the ground, comes to realize that the mounds are the intelligent aliens he was looking for.

Of course, it’s kind of discouraging to think the human race could spend so much hope and effort on the search for life only to find roving wave-lattices and other beings that won’t, or can’t, talk with us. But you can also see the expansion of our quest for intelligence as exhilarating. It raises the possibility that life out there will be interestingly, perhaps shockingly, different. The alternative possibility is that the problems of life and intelligence are the same everywhere, which means that evolution will keep converging on the same answer on Earth and on any other planet—and what could be less encouraging of space travel than the thought that the journey’s end would reveal more of the same? Better to wrestle at the edges of comprehension than to expect, as Wallace Stevens once wrote of Heaven, “that they should wear our colors there, and pluck the strings of our insipid lutes.”

Bonhoeffer In America

Reviewing Charles Marsh’s Strange Glory: A Life of Dietrich Bonhoeffer, John G. Stackhouse, Jr. details the anti-Nazi theologian and pastor’s first visit to America and its “dramatic effects on his outlook and career”:

This is Marsh’s own turf: previous scholarship (including the Grawemeyer Award-winning book God’s Long Summer) prepared him well to understand and to relate dish_Bonhoeffer something of the impact of Bonhoeffer’s encounter with black Christians in Harlem and during his travels in the South. Indeed, Marsh details well the change wrought in the rather fussy, elitist, and insulated young scion of the German haute bourgeoisie as Bonhoeffer encountered the likes of Adam Clayton Powell, Sr., his Abyssinian Baptist Church, and Negro spirituals and blues, as well as the indefatigable campaigner Reinhold Niebuhr; the combination of these forces called Bonhoeffer down from reflection in his ivory tower into action on the street.

This change is the guiding thrust of the book, in fact. Bonhoeffer never stops being the theological Wunderkind, but he is converted to a practical, even pragmatic, Christianity. He never loses his interest in the highest reaches of German idealistic philosophy (he is still reading Kant and lesser lights in Tegel prison), but he increasingly asks questions about religion on the ground, and in the future. “The ultimate question for a responsible man to ask,” Marsh quotes Bonhoeffer saying in one of his most famous lines, “is not how he is to extricate himself heroically from the affair, but how the coming generation is to live.”

Previous Dish on Bonhoeffer here and here.

(Image via Wikimedia Commons)

Empathy Within Reason

Stephen Sparks talks to Leslie Jamison, author of The Empathy Exams, about the connection between shame and empathy:

SS: Do you think that your sensitivity to shame can lead one to be more empathetic? To take an example from the book, I think of “Devil’s Bait,” on Morgellons disease. Many of the people with Morgellons suffer from a double burden of shame: the physical toll of the disease (apparent on their skin) and the fact that it’s not officially recognized, that it’s written off as psychological—it’s real, but not quite. In reflecting on their suffering, you also reflect on your response to that suffering, which moves you into a consideration of the role that reason plays in empathizing. This is another big question: where does reason stand in relation to shame? To empathy? I want to say that thinking through another’s suffering will move one closer toward an understanding of it, but there’s a nagging part of me that’s skeptical. …

LJ: I think you’re so right about the double shame of Morgellons, and it’s fascinating to parse it that way because the two shames are both simultaneous and oppositional—physical damage promises the possibility of proof that suffering is “real” but also compounds and deepens the isolating effects of that suffering. Which gets back to the question of reason—whether it always deepens empathy or whether it sometimes gets in the way.

I felt how strange it was to look at scarred skin and feel several reactions at once—the brute, gut feeling of sadness; the scars proof that suffering had happened, no matter why or how—but also the curiosity of those scars, how they had gotten there, to what extent we might call them self-inflicted. And in those moments, the reasoning mind did feel like radio static interrupting the reception of pain with its nagging questions. This was a nice word of yours: nagging. So often good ethical impulses start as nagging—like a little kid tugging on a shirt or a finger, until we stop and pay attention.

Have you read Paul Bloom’s piece in The New Yorker, “The Baby in the Well: A Case Against Empathy”? He posits a very different kind of relationship between reason and empathy. Basically, he argues that empathy can get in the way of sound moral reasoning, and we ought to supplant it—or at least leaven it—with reasoning. Often the situations that call forth our instinctive sympathies aren’t really the ones we should be acting towards: a little girl caught in a well arouses more collective sympathy than the anonymous millions starving in Africa—but we owe so much to the suffering that hasn’t been or can’t be compressed neatly into narratives that tug our heartstrings.

Previous Dish on Jamison and The Empathy Exams here and here.

Quote For The Day

“Every age has its own outlook. It is specially good at seeing certain truths and specially liable to make certain mistakes. We all, therefore, need the books that will correct the characteristic mistakes of our own period. And that means the old books. All contemporary writers share to some extent the contemporary outlook – even those, like myself, who seem most opposed to it. Nothing strikes me more when I read the controversies of past ages than the fact that both sides were usually assuming without question a good deal which we should now absolutely deny. They thought that they were as completely opposed as two sides could be, but in fact they were all the time secretly united – united with each other and against earlier and later ages – by a great mass of common assumptions.

We may be sure that the characteristic blindness of the twentieth century – the blindness about which posterity will ask, ‘But how could they have thought that?’ – lies where we have never suspected it, and concerns something about which there is untroubled agreement between Hitler and President Roosevelt or between Mr. H.G. Wells and Karl Barth. None of us can fully escape this blindness, but we shall certainly increase it, and weaken our guard against it, if we read only modern books. Where they are true they will give us truths which we half knew already. Where they are false they will aggravate the error with which we are already dangerously ill. The only palliative is to keep the clean sea breeze of the centuries blowing through our minds, and this can be done only by reading old books,” – C.S. Lewis, in his introduction to Saint Athanasius’ On the Incarnation.

Complicated Beyond Belief

Rafaella Marcus began to have doubts about her Catholicism when she was thirteen years old. She shares her experience of losing religion, yet maintaining a different kind of faith:

I grow older still and I realise that though I myself do not believe in the mass, that I utter the creed and the Our Father as a formality only, that formality is important to people around me. I wonder how my mother faith’s makes way for her ready acceptance of my cousin’s coming out, her openly pro-choice stance, her frank (too frank) discussions with me about contraception. When my eighty year old Italian Catholic Nana attends the civil partnership ceremony between my cousin and her wife, loves their children (her great-grandchildren!) with the same unreserved love as she has for any of the others, I can only come to the conclusion that belief is complicated beyond … well, beyond belief. I see now that rules bend for love and that, perhaps, is the grace I was looking for at the age of thirteen on that Saturday evening, in that church.

And I realise, along the way, that it is not God I have outgrown at all, but only the religion I grew up in. Now that I am at least a little grown up, I no longer go to church except at Christmas and Easter, and the transition has been soft and simple and has hurt no-one. … I no longer define my faith – neither an atheist, nor an agnostic, nor a lapsed Catholic – for why would I need to? It ebbs and absorbs the tragedy, it grows as I grow. There is so much more to living well, I find, than simply being good.

Face Of The Day

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Photographer Emma Kisiel focuses on roadkill:

Emma Kisiel’s “At Rest” is a photographic series depicting roadkill on American highways and addressing our human fear of confronting death and viewing the dead. Both morbid and beautiful at once, Emma builds and photographs these roadkill memorials at the location at which their life was taken. Speaking about the project she says, “My images draw attention to the fact that, while man has a vast impact on animal and natural life, dominant American religions insist that animals do not have a place in Heaven and are, therefore, of little value in our society.”

See more of Kisiel’s work here. Her blog is here.

Serving The Word

As a young man, Nick Ripatrazone considered becoming a Roman Catholic priest, but after meeting his wife in college, he realized his calling was to be a husband and father – and writer. He now sees that writing and faith share more than he once thought:

I want to bear witness to a sacramental vision. I want to admit my life as a sinner. Rather than judge others, I want to use empathy to sketch their imperfect lives on the page, and find the God that I know resides within them. Similar to the life of a priest, there is a space for silence in my writing life, but also a time of engagement with both reader and place.

I write from a Catholic worldview, but don’t often write about clergy or Catholic schools. Father Joe taught me that lesson, and thankfully, I listened. For me, writing is a form of prayer. I recognize that time spent at my desk can devolve into hours of selfishness, so I need to earn those words. Good fiction can be a form of good works. As a Catholic, I recognize that life is a story of continuous revision, of failure and unexpected grace, and of dogged hope. I am comfortable with the white space of ambiguity and mystery. I have faith, not certainty. To approach God in any other manner deflates the divine. I write and I believe in order to better see the world. Now, more than a decade after I left that rectory convinced I was meant to become a father and not a Father, a writer and not a pastor, I finally realize that I have not traded one vocation for another. I have discovered their common source.

The Little Boy Who Cried Heaven

Heaven is for Real, which opened last weekend, is the story of Colin Burpo, the four year-old son of a small town pastor who supposedly glimpsed heaven during an emergency appendectomy. The film is based on a book of the same title. When Jeb Lund compared the book and the movie, he found much more doubt and uncertainty in the big screen adaptation:

The film version of Heaven Is for Real seems to have been written in anticipation of the audience’s doubt. Screenwriter and director Randall Wallace—the guy behind Braveheart and the bridge-less Battle of Stirling Bridge—makes up a lot of dissonantly secular elements that don’t appear in the book and that spoil the tone of the movie.

A fictional church elder played by the reliably excellent Margo Martindale dislikes Colton’s story because she has seen pastors manipulate people with stories of heaven and threats of hell. The only reason for her character to exist is to inform the audience, “See? This story isn’t being manipulative.” Then, when Todd becomes too fixated on Colton’s story despite mounting medical bills and no income, his wife (played with a kind of impishly spirited good humor by Kelly Reilly) throws dishes in the sink and castigates him for thinking so much about the next life instead of this one. In addition to never appearing in the book, this scene thuds in the middle of the movie. This is Wallace screaming, “I KNOW WHAT YOU’RE THINKING, GODLESS AMERICAN MOVIEGOER.”

On the other hand, Kenneth Morefield argues that the presence of doubt in the film, including that of Colton’s father, Todd Burpo, actually makes it a better movie:

By distributing skepticism evenly across all the characters, even the Christians, Heaven is For Real avoids much of the smugness that marred God’s Not Dead. Like that film, Heaven is For Real has a token atheist/skeptic who is actually angry at God rather than dubious of his existence.

But unlike that film, Heaven is For Real doesn’t force a conversion on the skeptic as a means of declaring its own intellectual victory. This film looks inward, using Colton’s story to ask Christians to think through what they really believe, rather than focusing all their energy on how to get non-Christians to believe it too. Its dramatic highlight is a graveside conversation between Todd and Nancy (the always reliable Margo Martindale) that at least attempts to wrestle with the “why” questions. Why Colton? Why do so many prayers go unanswered? Why, if heaven is real, does death still sting so much, even for Christians?

Drew Dyck points out the gap between Colton’s vision of heaven and what we find in the Bible:

Some may be surprised that the Bible contains not one story of a person going to heaven and coming back. In fact Jesus’ own words seem to preclude the possibility: “No one has ever gone into heaven except the one who came from heaven the Son of Man” (John 3:13).

Scripture does contain several visions of heaven or encounters with celestial beings, but they’re a far cry from the feel-good fare of the to-heaven-and-back genre.

In Scripture, when mortals catch a premature glimpse of God’s glory, they react in remarkably similar ways. They tremble. They cower. They go mute. The ones who can manage speech express despair (or “woe” to use the King James English) and become convinced they are about to die. Fainters abound.

But, in another review of the film, Kyle Rohane reminds us that “ecstatic experiences are valuable, not because of the precise, objective details they reveal, but because they are subjective and personal”:

In 1224, Francis of Assisi witnessed a figure descending from heaven. This figure appeared to be a man but also a six-winged Seraph. He was affixed to a cross with two wings extended over his head, two covering his body, and two stretched out in flight. As Francis observed the figure’s radiant face, the figure smiled down at the monk. Francis was both overjoyed by the figure’s beauty and grieved by his suffering on the cross.

Do you think Francis pondered over the type of wood the cross was made of? Do you think he analyzed the ethnicity of the glorious figure? No, Francis understood his ecstatic experience to mean he would be made like the crucified Christ in mind and heart. The vision left him with a renewed commitment to and love of Christ.