Phillip Ball questions the notion that “the kind of beauty sought by science has anything to do with the major currents of artistic culture”:
No one has ever shown a correlation between beauty and ‘truth’. But it is worse than that, for sometimes ‘beauty’ in the sense that many scientists prefer – an elegant simplicity, to put it in crude terms – can act as a fake trump card that deflects inquiry. In one little corner of science that I can claim to know reasonably well, an explanation from 1959 for why water-repelling particles attract when immersed in water (that it’s an effect of entropy, there being more disordered water molecules when the particles stick together) was so neat and satisfying that it continues to be peddled today, even though the experimental data show that it is untenable and that the real explanation probably lies in a lot of devilish detail. …
An insistence that the ‘beautiful’ must be true all too easily elides into an empty circularity:
what is true must therefore be beautiful. I see this in the conviction of many chemists that the periodic table, with all its backtracking sequences of electron shells, its positional ambiguities for elements such as hydrogen and unsightly bulges that the flat page can’t constrain, is a thing of loveliness. There, surely, speaks the voice of duty, not genuine feeling. The search for an ideal, perfect Platonic form of the table amid spirals, hypercubes and pyramids has an air of desperation. … I would be rather thrilled if the artist, rather than accepting this unified pursuit of beauty (as Ian McEwan did), were to say instead: ‘No, we’re not even on the same page. This beauty of yours means nothing to me.’
If, on the other hand, we want beauty in science to make contact with aesthetics in art, I believe we should seek it precisely in the human aspect: in ingenious experimental design, elegance of theoretical logic, gentle clarity of exposition, imaginative leaps of reasoning. These things are not vital for a theory that works, an experiment that succeeds, an explanation that enchants and enlightens. But they are rather lovely. Beauty, unlike truth or nature, is something we make ourselves.
The Dish 