
Amena Bakr takes note of a new phenomenon on the hajj:
It’s one of the biggest trends taking over the social media world, and now during the annual Muslim hajj pilgrimage visitors to the holy sites can’t resist the urge to take a selfie. Between calls for forgiveness from God, the word “selfie” echoes through the white marble halls inside the Grand Mosque in Mecca where pilgrims walk around the Kaaba, the black-clad cube towards which the world’s 1.6 billion Muslims face to pray,
“I’m taking a selfie with Kaaba behind me to post on my Facebook so my family and friends can see me. That’s the way we communicate these days – no need to call,” said Mehmet Dawoud, a Turkish student. To many, selfies are just another way to preserve the memory of being in a holy site and also share the experience in the trendiest of ways with loved ones. “Selfies are just a way to make the memory last in the coolest possible way. Hajj is always seen as something very serious and for older people. Selfies make it cool again,” said Amir Marouf, a 30-year-old Egyptian architect.
Antoinette Lattouf ties the trend to to the Saudi government’s decision to allow cell phones at the Holy Mosque. But John Bowman raises an eyebrow, noting that the most widely read article about the “craze” was published before the Hajj even started :
Here’s now it happened. Saudi photographer Jameel Musleh posted [the above] selfie to Twitter in April. The pilgrims shown in the photo may have been on the lesser pilgrimage, the umrah, that can be performed at any time of year, says Fareed Amin, the president of the Islamic Institute of Toronto. This photo has been retweeted and reposted thousands of times.One Twitter user dubbed it the . Another tried to get the photo more retweets than Ellen DeGeneres’s Oscar selfie. This may be where the hashtag and name originated.
The meme was persistent enough that last week, ArabNews.com wrote an article ahead of the hajj, quoting Islamic studies teachers and scholars who advised against “photography without a legitimate reason.” The story used the above umrah photo was illustration. “The Prophet (peace be upon him) when he went for Haj, he said: O Allah, I ask of you a pilgrimage that contains no boasting or showing of. Taking such selfies and videos defy the wish of our Prophet,” said scholar Sheikh Assim Al-Hakeem in that article. This led to a discussion among Muslims on social media. The Twitter account put the question to its followers.
When Buzzfeed got a hold of the story, it became Muslim Pilgrims Are Taking “Hajj Selfies” And Clerics Are Not Happy. “‘Selfie fever’ has taken over the hajj,” they wrote, proclaiming it a “craze” before it even occurred.
Meanwhile, Boer Deng looks into another way new media is engaging with ancient tradition:
The prototype for a new app, Mecca 3D, was released this summer, and lets users explore a true-to-scale digital rendition of the Mosque at Mecca. It has been downloaded about 80,000 times on Android and iOS, according to its creator, Bilal Chbib.* He hopes to add interactive lessons and to integrate the program with Oculus Rift, a virtual reality simulator. Going on a technologically mediated pilgrimage might resemble the experience of a flight simulator. “You can never substitute the place where the Prophet stood,” as Chbib says. But virtual participation in religious activities can still give people an authentic experience, though of a different sort. Krystina Derrickson, an Islamic scholar, writes of visiting Mecca in the virtual world program Second Life: “When my ‘avatar’ visits the Mosque, I feel compelled to take off my avatar’s shoes,” she says, “because, really, it’s me visiting that Mosque.” The Mosque is not real, but that does not mean it lacks “a rather noticeable social and cultural reality.” Derrickson thinks that this gives it and other digital religious spaces a kind of “ambiguous” sacredness.
(Photo: Muslim pilgrims pose for a selfie during the Jamarat ritual, the stoning of Satan, in Mina near the holy city of Mecca, on October 4, 2014. Pilgrims pelt pillars symbolizing the devil with pebbles to show their defiance on the third day of the hajj as Muslims worldwide mark the Eid al-Adha or the Feast of the Sacrifice, marking the end of the hajj pilgrimage to Mecca and commemorating Abraham’s willingness to sacrifice his son Ismail on God’s command in the holy city of Mecca. By Mohammed Al-Shaikh/AFP/Getty Images)