An Evangelical Changes His Mind On Gays

We’ve featured the work of Matthew Vines many times before, and want to highlight a speech given at a conference recently held by his organization, The Reformation Project. A keynote speaker, David Gushee, one of the foremost evangelical ethicists in the United States, used the occasion to announce his support for the full-inclusion of LGBT Christians in the Church. The above video of Gushee’s remarks is longer than we usually post, but it’s worth watching in full. (You can read a transcript of his remarks here.) For a sense of why this matters, Jonathan Merritt sketches Gushee’s place in the evangelical world:

It is difficult to overstate the potential impact of Gushee’s defection. His Christian ethics textbook, “Kingdom Ethics,” co-authored with the late Glen Stassen, is widely respected and was named a 2004 Christianity Today book of the year. He serves as theologian-in-residence for the Cooperative Baptist Fellowship, a coalition of 15 theological schools, 150 ministries, and 1,800 Baptist churches nationwide.

While other pro-LGBT Christian activists — including Justin Lee of the Gay Christian Network and Matthew Vines, author of “God and the Gay Christian” — have been dismissed in some circles as wet-behind-the-ears youngsters without formal theological training, Gushee, 52, is a scholar with impeccable credentials. He can add intellectual heft to what has largely been a youth-led movement, and is not someone who can be easily dismissed.

Gushee summarizes his approach to the issue this way:

Since the 1960s, when the gay rights movement began in America, Christians and their leaders have struggled to figure out how to respond to the growing tolerance of same-sex relationships. Most in Christianity have responded by offering endless debates over how to interpret that handful of biblical passages. Books erupted. Congregations fought. Denominations split.

For me, the answer to this debate has become simple: There is a sexual-minority population of about 5 percent of the human family that has received contempt and discrimination for centuries. In Christendom, the sexual ethics based in those biblical passages metastasized into a hardened attitude against sexual- and gender-identity minorities, bristling with bullying and violence. This contempt is in the name of God, the most powerful kind there is in the world. I now believe that the traditional interpretation of the most cited passages is questionable and that all that parsing of Greek verbs has distracted attention from the primary moral obligation taught by Jesus — to love our neighbors as ourselves, especially our most vulnerable neighbors. I also now believe that while any progress toward more humane treatment of LGBT people is good progress, we need to reconsider the entire body of biblical interpretation and tradition related to this issue.

Put simply, it finally became clear to me that I must side with those who were being treated with contempt, just as I hope I would have sided with Jews in the Nazi era and with African Americans during the civil rights years.

Famous At Eighty

Reviewing Hermione Lee’s Penelope Fitzgerald: A Life, a new biography of the British novelist, Alan Hollinghurst reminds us of her late-in-life flowering as a writer:

She published her first book, a biography of the artist Edward Burne-Jones, when she was fifty-eight; her first novel appeared when she was sixty. She was, as she said, “an old writer who had never been a young one.” How different it would have been if, like her close contemporaries Muriel Spark, Angus Wilson, and Anthony Burgess, she had started publishing fiction in the 1950s, if she’d moved in the shifting currents of influence and allegiance and left her mark on the literary history of those decades. But as it happened she made her debut at the age when others are going off or giving up, and after diffident beginnings rapidly emerged as an utterly distinctive talent, with no obvious debts to anybody. In America she achieved fame at the age of eighty with The Blue Flower, her finest and most demanding book, and also her last. She died, aged eighty-three, in 2000.

This triumph of late productivity is unavoidably tied to loss, the paradoxical freedoms of bereavement. Edward Burne-Jones was written immediately after her father died. Dedicated to her children, it reaches back into the cultural world of the generation before her own that she had always found so fascinating: it is a passing on of knowledge. Her first novel, The Golden Child, a “joke” as she called it, was written to amuse her gravely ill husband Desmond Fitzgerald, and is dedicated, posthumously, to him. Everything that followed is thus the product of a near quarter-century of widowhood.

James Wood, meanwhile, parses her distinctively stylish prose:

Fitzgerald’s confidence in her material is oddly disarming; she seems somehow to take life as it comes, as if we were always entering her novels in the middle of how things just are. This is the opening of “The Bookshop” (1978):

In 1959 Florence Green occasionally passed a night when she was not absolutely sure whether she had slept or not. This was because of her worries as to whether to purchase a small property, the Old House, with its own warehouse on the foreshore, and to open the only bookshop in Hardborough. The uncertainty probably kept her awake. She had once seen a heron flying across the estuary and trying, while it was on the wing, to swallow an eel which it had caught. The eel, in turn, was struggling to escape from the gullet of the heron and appeared a quarter, a half, or occasionally three-quarters of the way out. The indecision expressed by both creatures was pitiable. They had taken on too much. Florence felt that if she hadn’t slept at all—and people often say this when they mean nothing of the kind—she must have been kept awake by thinking of the heron.

“The Bookshop,” published when Fitzgerald was sixty-one, announced her arrival on the literary scene, and the qualities of her immense vitality are all present at the beginning of her late-blooming career. The passage is lively in part because its music is jagged: each sentence is a little different from its predecessor; nothing is quite allowed to settle into the familiar. Precision seems important (“1959”; “a quarter, a half, or occasionally three-quarters”), but the novelist’s certainty does not preclude a tactful hesitancy about her characters (“The uncertainty probably kept her awake”). At the very moment the reader might expect pathos or sentiment, there is a quizzical resistance to it (heron and eel are pitiable only in their “indecision”). The writing quietly hovers around the thoughts of its protagonist (heron and eel “had taken on too much,” like Florence Green) but has room for authorial impatience (“and people often say this when they mean nothing of the kind”).

An Open Faith In Burma

dish_natpwe

While attending a nat pwe – a festival devoted to the folk spirits, or nats, of Burmese tradition – Will Boast finds another side to the celebration:

I’d been told by locals that nat pwes were also “gay” festivals and to expect to see “many ladyboys.” The junta’s attempts to subdue nat worship had an unintended effect: the role of the nat wife [or nat kadaw] was embraced by an already marginalized group. Homosexuality is illegal in Burma and has been since its British colonizers instituted a late-nineteenth-century ban on “intercourse against the order of nature.”

Government restrictions opened a professional vacuum, says scholar Tamara C. Ho. Becoming a nat kadaw offered the achauk—a Burmese term for gay and transgender men—both “a vocation and queer visibility.”

Anthropologists differ in their readings of the gendered aspects of nat worship. Still, nowhere else in Burma, not even in vast, multi-ethnic Yangon, did I see any cross-dressing or open displays of affection between men. In a country marked by socially conservative, austere Buddhist ways, the nat pwe, it seems, provides a rare moment during which the usual rules can be suspended.

Update from a reader:

I’m a scholar of Burma, and I particularly appreciate your posts on Burma, a country which deserves well-informed reporting in the West. Will Boast says that he never saw any cross-dressing in Burma (other than at the nat pwe).  There is at least one group in the country that consistently cross-dresses:

housemaids or domestic servants who work in Yangon.  These are men who dress as women and who work in a typically female realm.  Interestingly, all those I have seen seem to be of Indian (that is, South Asian) descent, rather than Burman or Southeast Asian.  Boast may not have noticed them because these servants work indoors, use public transportation and live in humble circumstances.  They are unlikely to appear at the hotspots increasingly patronized by foreign tourists.

Also, there is a burgeoning LGBT rights movement in the country, albeit a movement that so far involves the most elite, highly educated class and their allies in the expat community.  To my knowledge, Gay Pride Day was celebrated for the first time in Yangon in 2013.  See here.

(Image of male dancer at nat pwe festival by Flickr user Thomas)

Faith Moves In Mysterious Ways

After reflecting on the way Mormons have changed their teachings on polygamy and race, Will Saletan posits that the LDS Church will come to affirm the lives and loves of gay people:

When you look back at these stories—not just the reported facts, but the way the church has recast them—you can see how a reversal on homosexuality might unfold. First there’s a shift in the surrounding culture. Then there’s political and legal pressure. Meanwhile, LDS leaders have to grapple with the pain of gay Mormons—now acknowledged by the church as “same-sex attracted”—who sacrifice for an institution that forbids them to love and marry. Within the church hierarchy, less conservative voices gradually replace leaders who have died or stepped down. Eventually, the time is right for a revelation. When you pray hard enough, and you know what you want to hear, you’ll hear it.

The church is well along this path. Two years ago, it acknowledged homosexuality as a deeply ingrained condition and said it “should not be viewed as a disease.” Today, in its essay on polygamy, the church affirms its defense of traditional marriage, but with a caveat. “Marriage between one man and one woman is God’s standard for marriage,” the essay concludes—“unless He declares otherwise, which He did through His prophet, Joseph Smith.” It happened once. In fact, it happened twice. When the time is right, it’ll happen again.

Not so fast, Douthat replies.

He argues that religious history has taken unexpected turns before, and pundits should be wary of envisioning the future as a mere extrapolation from the present. He goes on to imagine “something much more abnormal — given current expectations, that is — happening around these issues than what Saletan predicts”:

How should they respond to the possibility that their faith is becoming effectively alien again, developing another “marriage problem,” because it still hews to the terms of the original deal even as American culture demands assent to a very different, effectively post-biblical, understanding of what marriage is supposed to be? Saletan sketches one possible response, in which Mormons simply accept the new bargain, the new terms, and adapt once again. But that’s the Whig’s view of history, in which everyone responds to new incentives by rushing in the same direction. If you take the example of Mormonism’s founding fathers seriously, you might just as easily say, the bargain has been broken, therefore the revelation that helped seal it no longer applies, therefore we can go our own divinely-sanctioned way again even as the wider culture rushes in another direction. And the end result might not a L.D.S. church that evolves toward, say, the current Congregationalist or Unitarian view of marriage; it might be an L.D.S. church that has much more trouble sweeping polygamy to its margins (especially if civil laws against the practice fall), and that suddenly has to deal with powerful fundamentalist currents, a powerful fundamentalist wing, in ways that would have been hard to imagine before the same-sex marriage debate began.

This is all the purest speculation, of course. Like a Catholic schism, a springtime for Mormon polygamy is not something that can be gleaned from current sociological data, church attendance figures, polling and the like. And it would be, well, a very strange development. But this is my point: We can’t know exactly what it would look like, but where religion’s future is concerned, the strange in some form is always part of what we should confidently expect.

Recent Dish on Mormons and polygamy here.

On The Morality Of Mind Games

Michael Thomsen describes the objective of Ether One, a game that recreates the experience of dementia for the player: “Your job is to dive into the mind of Jean Thompson, a sixty-nine-year-old woman diagnosed with dementia, and retrieve a series of lost memories.” Players are encouraged to “collect” memories, represented by tchotchkes and mementos that can only be carried one at a time:

As a player, you’re never sure what’s important and what isn’t, so the system encourages you to take everything. This hoarding is repaid with periodic puzzles, such as a door with a numeric lock whose code can be found on the bottom of a previously collected mug. As the game progresses, these puzzles increase in complexity, as does the array of random objects filling the shelves. The collection gradually overwhelms the player’s ability to remember just where all of these things came from and why they seemed important enough to retrieve. Why did I bring this plate all the way back here? Whose hat is this supposed to be again? It’s a tidy simulation of the cognitive degradation of dementia.

Thomsen goes on to ponder the moral implications of games designed to simulate mental illness:

If a game is going to be a game, in the sense of a progressive series of challenges leading to a definite end state, it can’t represent dementia or Alzheimer’s with anything other than a self-conscious artifice. We’re used to suspending some disbelief to enjoy shooting games, but it feels like bad faith to say that a disease should be the basis of a similar kind of entertainment. Our desire to entertain ourselves within systems that make triviality and tragedy indistinguishable says more about us than the depicted subjects. If violent war games are driven by delusional power fantasies, then empathy games are driven by a parallel delusion about how caring we are in reality.

Quote For The Day

“In democracies it is by no means the case that all who cultivate literature have received a literary education, and most of those who have some acquaintance with good writing go into politics or adopt some profession which leaves only short, stolen hours for the pleasures of the mind. They therefore do not make such delights the principal joy of their existence, but think of them rather as a passing relaxation needed from the serious business of life. Such men will never have a deep enough understanding of literature to appreciate its refinements. Fine nuances will pass them by. With but short time to spend on books, they want it all to be profitable. They like books which are easily got and quickly read, requiring no learned researches to understand them. They like facile forms of beauty, self-explanatory and immediately enjoyable; above all, they like things unexpected and new. Accustomed to the monotonous struggle of practical life, what they want is vivid, lively emotions, sudden revelations, brilliant truths, or errors able to rouse them up and plunge them, almost by violence, into the middle of the subject.

Need I say any more? Who does not guess what is coming before I say it?

By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste,” – Alexis de Tocqueville, Democracy in America.

Discovering The God Of Peace

We’ve featured debates about Karen Armstrong’s Fields of Blood: Religion and the History of Violence over the last few months. In a new interview about the book, she admits her views of God and religion have changed over time:

The change began while I was writing “A History of God.” I expected it to be like its predecessors: a rather smart, clever thing where I showed how people just “rejigged” the idea of God to suit their purposes. But things started to change there. I started seeing in depth how inadequate my idea of God had been. As a young girl, and a young nun, I thought of God as “up there.” Then reading all these people, Maimonides, Avicenna, Thomas Aquinas, all the great voices of the monotheistic tradition, and hearing them say that all our ideas of God are man-made and can’t possibly measure up to who God is — this was a start of the deepening of my understanding.

I tended to favor the individual and the mystical over the organized. But one of the things that I’ve learned is that religion is largely about community. People before Luther simply didn’t experience God in an individual way. You did it by living with the idea of God in community and acting kindly and creatively.

How she makes the case for the continued relevance of the tradition of religious non-violence:

Throughout the book I’ve tried to show how the various traditions devised ways to help people get over violence. How Jewish rabbis actually completely revised their interpretation of the Jewish scriptures to take the violence out. How the ideal of ahimsa took root strongly in India. And how Jesus, who was an excitable man, says that extraordinary thing: Love your enemies.

We’re living in a globalized world, and the great theme that religion can give us, and perhaps national mythologies cannot, is that we are profoundly interconnected. Our histories are intertwined; economically we’re absolutely bound up with one another; what happens in Syria has a blowback in Canada. So what the religions have insisted is that you cannot confine your benevolence to your own group. You must love your enemies and reach out and practice what the Indian sages called equanimity: You cannot prefer one being to another. You cannot put yourself on a privileged pedestal, because that is no longer a rational response to our globalized world.

God’s Unexpected Smile

Recently we featured a survey of the Colombian writer Nicolás Gómez Dávila’s acerbic aphorisms. Matthew Walther considers a translation of his Scholia to an Implicit Text, noticing his idiosyncratic theological positions:

Though traditional Catholics will doubtless enjoy his digs at progressive clergymen and agree with his aesthetic objections to the Mass of Pope Paul VI, Gómez-Dávila’s orthodoxy, especially by the standards of the preconciliar Church, is very much an open question. He was almost certainly a fideist of the Kierkegaardian variety, starkly declaring that “if God were a conclusion of reasoning, I would not feel it necessary to worship Him.” He insisted that “Scholasticism sinned by trying to turn Christians into know-alls” and that it encouraged the higher criticism (“Christ did not leave documents but disciples”). There are also hints in his work, if not of outright universalism, then certainly of hope for the salvation of all, also expressed by Karl Rahner, Hans Urs von Balthasar, and the founder of this magazine: “I rather believe in God’s smile than in his wrath.”

If Gómez-Dávila is ever declared a saint, admittedly a very remote possibility, he should be taken up as the patron of nihilists—which is to say, of most of us on our worst days. His work is a complement to, if not a substitute for, gin, tobacco, and constant prayer. The fact that his tone is caustic and his political views incompatible with even a limited faith in liberal democracy should caution readers against complacence and placing ultimate trust in anything but the articles of the Creed. “I do not belong to a perishing world,” he wrote. “I prolong and transmit a deathless truth.”

A Short Film For Saturday

A portrait of Richard Thompson, the “cartoonist’s cartoonist”:

In an interview with Michael Cavna, filmmaker Andy Hemmendinger explains what motivated his tribute:

MICHAEL CAVNA: Congratulations on the beautiful documentary, guys. When did you first discover Richard’s work, and what inspired you to make this film?

ANDY HEMMENDINGER: Richard has been a friend and neighbor of mine for the last 15-plus years. I enjoyed his sense of humor from the beginning, and while I knew he did illustrations and cartoons, I’d never seen any of his work. One day, a friend of mine called up and said that he’d made fun of my last name in a cartoon that he’d done. After that, I started paying attention to his work.

I loved his sense of humor and began to read him regularly, especially when “Cul De Sac” started. It did surprise me that not everyone knew who he was, though. This past spring, I was visiting Richard and saw a self-portrait he’d drawn in which he was a chick that had just hatched. That image really struck me. It made me think of the endless hours he’d spent staring at a blank piece of paper, waiting for ideas to strike. Like staring at the inside of the egg. And now it wasn’t the lack of ideas that constrained him, but the Parkinson’s. [Ed. note: Thompson retired “Cul de Sac” in 2012 to battle his Parkinson’s disease.]

Between the combination of this mental image and wanting … other people to enjoy his work as much as we did, we decided to make a film.