The View From Your Window Contest: Winner #218

by Chas Danner

VFYWC-218

Only one reader correctly guessed this week’s view:

Way too easy. Come on, at least make us work for it. Its’s clearly New York City, NY, USA.

Another is packing his bags:

I don’t care where it is, but I could live there!

Another elaborates:

If every human being could spend two weeks annually at such a place, workplace violence and domestic abuse would disappear.

A confident guess:

Obviously, this is a rare, full daylight view of Lamplight Village, so often painted by Thomas Kinkade, The Painter of Light:

lamplight-village

And available for just three installments of $16.66 (that includes a free, light-painting Thomas Kinkade action figure). Another has a less sentimental guess:

Vaduz, Liechtenstein. Because of reasons.

Or perhaps the UK?

This is a straight-up stumper. No (readable) signs, no cars, no people. no livestock. Six buildings partially visible, and a paved road running through, in some very lovely mountains. Let’s start with the mountains: those could be the Rockies (or other range in western North America), the Alps, the Andes, or somewhere odd like Japan or New Zealand. The sun looks to be more or less directly overhead, so let’s eliminate the southern hemisphere.

My first impulse was Switzerland, but the houses don’t look typically Swiss. My next impulse was Scotland. That feels closer.

If anyone is going to actually decode this (i.e., if anyone is going to get it without having been here on vacation and recognizing it) my guess is that they are going to figure outyellow-box what is up with that yellow box on the side of the building in the foreground that looks like a hand soap dispenser. I am not going to be that person.

So for the sake of keeping my resolution and my sanity I’m going to throw a virtual dart at a map of the Scottish Highlands and say… Fort Augustus, Scotland. Hoping for proximity…

Another:

I’m really looking forward to finding out how the winner deduced this, because I haven’t a clue. We have that funny yellow box on the side of the foreground building, but after much googling I still have no idea what it is. Perhaps the style of the sign on the road evokes something for someone, but not for me. Perhaps the combination of the old stone construction, the slate roofs, the solid shutters, and the mountainous setting all add together in a unique way for someone out there, but not for me. Or perhaps the trees make it clear. The best I can get is somewhere in Europe.

Well you’re right about Europe. Another:

I think those who wanted a difficult contest got there wish. Just because I want to make a guess, I’m saying Rottenturm, Switzerland because it looks like it could be somewhere in Europe and that’s where my grandmother was born and lived until she was eighteen and fled Europe for the United States. The look of the buildings and the slopes behind them are how I imagine that town must look.

This reader better watch out for Uncle Sam:

That is almost certainly where I do my secret banking in Switzerland. I’m not allowed to be more specific.

Another Dish-informed contestant gets closer:

La Mare-aux-Geais, France. Looks like a hameau. Now where did I recently read the word hameau? Oh yes, in the Dish post about La Mort Aux Juifs. The description of the hameau in that post is two houses and one farm. So that is my guess.

This reader gets really close:

The landscape combined with the slate roof, stone buildings, and dormer windows is a good fit for the Pyrenees.  But this is a really tough one to narrow down further.  There are a million little towns and villages in the French and Spanish Pyrenees, and there’s not really a good way to explore them all.  I’ve officially given up and will randomly pick the French town of Fos.  I’m anxious to see how the winner(s) this week will identify the exact spot.  Grit, determination, and many hours of browsing google earth?  ESP?  What will the secret be?

The Pyrenees it is, and the French side was the most popular incorrect guess this week. This reader gets in the right country, only the wrong part of that country:

I know this is probably somewhere in southern Germany/the Alps but those slate-shingled roofs, the mountains, and the green foliage remind me of the tiny sub-region of “O Bierzo,” the far western corner of the province of León in Spain, just east of the region of Galicia (in fact, they speak the Galician language there, too). Slate-shingled roofs are very common in O Bierzo as well as in neighboring Lugo province, but clay shingles are the norm nearly everywhere else in the country.

Alas, the only players to nail this week’s exact town in Spain were previous winners. For instance, a neuroscientist:

ridgeLine_1

This one was fun. At first the general alpine-ness suggested the Alps, but poking around there didn’t turn up the right mix of architectural features. Cycling fans know that if it’s not the Alps then it’s the Pyrenees, so off to the Franco-Spanish border. The ridgeline matched one outside Vielha, Spain, just a stone’s throw from the French border and familiar to obsessive cycling fans who remember it as the teams’ home base before last Tour de France stage 16.

ridgeline

From there, it was a process of roof-matching in Street View to ID the right structure among so many pretty buildings. The rushing stream in the picture is a great hint. Based on sight-lines, I think the window must be the southern-most one on the top floor at 52 Carrèr Major:

theWindow

Amazing. Contest #164 was from another part of the Spanish Pyrenees as well. And here’s the winner of Contest #166:

This was the most difficult contest in quite a while.

View from about the same spot

This week we are in the Spanish Pyrenees in the town of Vielha. For the building appears to be named Nere and the closest address on I could find is 54 Carrèr Major, 25530 Vielha, Lleida, Spain.

WINDOW

On the second floor of the building, there are two large windows that open onto small balconies. I believe the contest window is the one on the left when facing the building (i.e. the one further south). The window is in the box in the attached picture. I also attach one street view picture showing a snowy version of the same scene, but just from one floor down. And for good measure attached is a third picture taken from the parallel street across the Arriu Nere showing the building with the contest window and two of the buildings in the contest picture.

Alt view

Rest assured, the more the difficult the contest, the happier Grand-Champ-Chini gets:

Now that’s what I’m talkin’ about. After a tough few days I needed a good view to hunt and this one made up beautifully for Dish Editor Chris Bodenner’s maddening eephus pitch from last week.

VFYW Vielha Bird's Eye Marked - Copy

The lack of landmarks means that we’ve got a classic “hard” view on our hands, but its proximity to Spain’s biggest ski resort makes me think that there’ll still be a decent number of responses. Eight correct answers, perhaps?

VFYW Vielha Actual Window Marked - Copy

This week’s view comes from Vielha, Spain in the Val D’Aran just a few miles south of the French border. The picture was taken from a sliding living room door on the second physical floor of the Casa Mijaran rental apartments (most likely Mijaran #1) located at 54-52 Carrer Major and looks east-north-east along a heading of 71.37 degrees over the banks of the River Nere, a tributary of the Garonne River. I’ve also attached a picture from the interior showing the likely spot where your viewer was standing.

VFYW Vielha Interior View Casa Mijaran 1 - Copy

Lest any regular players get too intimidated, this week’s winner was off by only 7.1km:

A really difficult one this week! I am pretty certain it is on the Pyrenees, given the terrain and the architecture, but finding the exact mountain village with the scant clues present in the picture is beyond me. Just for fun I am going to guess Arties, Spain, though I’d be flabbergasted if I turn out to be right.

Flabbergast away. Nice job.

This week’s view actually came from friend-of-the-Dish Jonathan Cohn:

View-from-Window---1

It’s from an apartment in Vielha, Spain, where we spent a week in July. Vielha is in the Pyrenees in Catalonia and near the French border.

View from Window - 1

The photo will be tough, I think, but there are mountains and a bell tower in the center of town which are both visible in the shot. There’s also a creek/small river in one of them. That could help too.

We’ll do an easier view for next week. If you’d like to try and find out where, we’ll see you on Saturday.

(Archive: Text|Gallery)

Ask Shane Bauer Anything: The Guantanamo Effect

by Chas Danner

In another video from the former hostage, he notes how both he and his Iranian jailers would try to cite Guantanamo to their advantage:

He goes on to try and explain the bizarre and twisted relationship he had with his interrogators, who tried to behave as both enemy and friend:

Shane Bauer is an investigative journalist and photographer who was one of the three American hikers imprisoned in Iran after being captured on the Iraqi border in 2009. He was held for 26 months, four of them in solitary confinement. He subsequently wrote a special report for Mother Jones about solitary confinement in America, and he’s currently running a Kickstarter-like campaign to enable him to spend a full year investigating America’s prison system. Shane and his fellow former hostages, Sarah Shourd (now his wife) and Josh Fattal, have co-written the memoir A Sliver of Light based on their experiences. Except here. Read about what happened one night when Shane’s guards left his cell open here. Shane’s previous videos in the series are here.

(Archive)

Ask Dayo Olopade Anything

By Chas Danner

[Updated with new questions submitted by readers, which you can vote on at the bottom of this post]

Sarah Rothbard introduces us:

Nigerian-American journalist Dayo Olopade spent two years traveling through 17 African countries. Butbright it’s still difficult for her to talk about the continent[:] 800 million people live in Africa, most of whom she has not met. Nonetheless Olopade, author of The Bright Continent: Breaking Rules and Making Change in Modern Africa, is trying to reorient Western views of the continent. Six of the world’s 10 fastest growing economies are located in sub-Saharan Africa. Twenty-three African countries are now middle-income, she said, with their feet on the first rung of the ladder toward posterity. And over 300 million people make up Africa’s emerging middle class. They earn 10 times the poverty benchmark of $2 per day. Right now, unbeknownst to the West, Africa is incredibly dynamic and energetic. It is young—70 percent of the population is under 30 years old—and increasingly urban, with 50 cities of more than a million people and more than half the continent living in urban, cosmopolitan settings.

Dayo believes one of the reasons that Africa’s progress often goes unnoticed is because of “poverty porn”:

Many of the images that come out of Africa—from commercials featuring celebrities speaking on behalf of hungry children to Toms shoes—come from sources with business models that rely on people feeling badly about Africa. Poverty porn also exists at an institutional, global level. Olopade was shocked to see a poster that won a United Nations-sponsored contest depicting the torsos of leaders of the G-8 nations as skinny, African kids waiting in line at a refugee camp from the waist down.

We_are_still_waiting_Einarsson_Final_72dpi

The caption: “‘Dear World leaders. We are still waiting.’” But in Africa, “people, in my experience, wait for no one,” said Olopade, recounting the astonishing amount of commerce that takes place in the middle of traffic on the roads of Lagos, Nigeria. From your car, you can buy everything from mobile phone airtime to live animals. Congested roads aren’t an opportunity for self-pity but for marketing.

Let us know what you think we should ask Dayo via the survey below (if you are reading on a mobile device, click here):


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Ask Dayo Olopade Anything

By Chas Danner

Sarah Rothbard introduces us:

Nigerian-American journalist Dayo Olopade spent two years traveling through 17 African countries. Butbright it’s still difficult for her to talk about the continent[:] 800 million people live in Africa, most of whom she has not met. Nonetheless Olopade, author of The Bright Continent: Breaking Rules and Making Change in Modern Africa, is trying to reorient Western views of the continent. Six of the world’s 10 fastest growing economies are located in sub-Saharan Africa. Twenty-three African countries are now middle-income, she said, with their feet on the first rung of the ladder toward posterity. And over 300 million people make up Africa’s emerging middle class. They earn 10 times the poverty benchmark of $2 per day. Right now, unbeknownst to the West, Africa is incredibly dynamic and energetic. It is young—70 percent of the population is under 30 years old—and increasingly urban, with 50 cities of more than a million people and more than half the continent living in urban, cosmopolitan settings.

Dayo believes one of the reasons that Africa’s progress often goes unnoticed is because of “poverty porn”:

Many of the images that come out of Africa—from commercials featuring celebrities speaking on behalf of hungry children to Toms shoes—come from sources with business models that rely on people feeling badly about Africa. Poverty porn also exists at an institutional, global level. Olopade was shocked to see a poster that won a United Nations-sponsored contest depicting the torsos of leaders of the G-8 nations as skinny, African kids waiting in line at a refugee camp from the waist down.

We_are_still_waiting_Einarsson_Final_72dpi

The caption: “‘Dear World leaders. We are still waiting.’” But in Africa, “people, in my experience, wait for no one,” said Olopade, recounting the astonishing amount of commerce that takes place in the middle of traffic on the roads of Lagos, Nigeria. From your car, you can buy everything from mobile phone airtime to live animals. Congested roads aren’t an opportunity for self-pity but for marketing.

Let us know what you think we should ask Dayo via the survey below (if you are reading on a mobile device, click here):


This embed is invalid

Ask Shane Bauer Anything: Inflexible Isolation

By Chas Danner

In our next video from Shane, who spent four months in solitary confinement while imprisoned in Iran, he shares what most shocked him when he subsequently investigated solitary here in America:

Bauer goes on to explain how reforming the way American prisons use solitary confinement starts with treating it as a temporary, rather than permanent, solution:

Shane and his fellow former hostages, Sarah Shourd (now his wife) and Josh Fattal, have co-written the memoir, A Sliver of Light, about their experience as Iranian political prisoners. You can read some excerpts from the book here. The Dish’s ongoing coverage of the horrors of solitary confinement is here. Shane’s previous videos in the series are here.

Ask Shane Bauer Anything: An Ill-Advised Hike

By Chas Danner

When considering Iran’s imprisonment of American hikers Shane Bauer, Sarah Shourd and Josh Fattal, many (including Dish readers) have insisted that the trio shares responsibility for their fate by electing to travel near Iraq’s border with Iran in the first place. In today’s video from Bauer, he defends their choice to vacation in Iraqi Kurdistan, while admitting their mistake in not realizing how close they were to the border. In a followup, Shane adds that they did not cross into Iran accidentally as many have presumed. In fact, they were made to cross the unmarked border by Iranian guards on the other side, something one of those guards has since reached out to them to apologize for:

When Shane and his friends were first captured, I remember feeling annoyed about the risks they’d taken, particularly because I was worried their story might divert attention from Iran’s brutal crackdown on the Green Movement that summer. But let’s be clear, no one deserves to spend years in prison for forgetting to buy a map, let alone 400+ days in solitary confinement like Sarah had to endure. Injustice is injustice.

In yesterday’s video, Shane detailed how difficult it was to readjust to life outside of prison, as well as how the perspective he gained from his experience has helped him report on the plight of prisoners here in America. Along those lines, Bauer has since written a special report for Mother Jones about solitary confinement in American prisons. Also he, Sarah (now his wife) and Josh have co-written the memoir A Sliver of Light, which comes out today. Excerpt here.

(Archive)

The View From Your Window Contest: Winner #196

by Chas Danner & Chris Bodenner

vfyw_3-15

A reader gets wistful:

Savannah, Georgia. The state that broke my heart. Twice.

Another goes way west:

This is Guilin, China.

Another wild guess:

If I’m correct, this picture is taken right off the Bosphorus River, in Istanbul. I think the bridge is the Ataturk Bridge. Hope I’m right! This is my first ever try for a VFYW, so does that cut me some slack?

A little but not enough. A reader gets the right continent:

The license plates look European, and the flag on the front of the boat looks blue.  I’m going with northern Greece, somewhere near Albania.

Another thinks he’s got the right river:

I spent a summer studying abroad in the Czech Republic. Made a trip to Linz one weekend to see what was there. Linz’s waterfront looks very similar to that picture and so does the bridge. Also the cruise boat makes me think its somewhere on the Danube.

A few others thought it was the Danube as well. But another gets closer:

Like many other readers, I suspect, I have been meaning to subscribe, but I’ve not yet gotten around to it. As far as the VFYW, this is the first time I’ve ever had a real glimmer of recognition. The bridge and gently-sloping hills in the background strike me as Rouen, one of my favorite towns in France.

Another gets the right country:

This bridge looks very much like one that I crossed on foot with a suitcase about 20 years ago, when I was a graduate student studying in Germany for a year.  I remember taking a ferry down the Rhine from Mainz to Koblenz, walking across the bridge to a fleabag hotel I where I spent the night (the guidebook I used them called the decor “cheesy” and the facilities “a little worn”). The wintry scene, the German-style apartment houses in the background, the European economy cars and the bicyclist all make me think of Koblenz.

Another gets really close:

This appears to be in Cologne. The view seems to be looking from the left side of the Rhine over to Deutz (a neighborhood in Cologne) on the right side. If it’s not Cologne, it must be somewhere along the Rhine.

It is. Another gets the right city:

I think your contest photo is a picture of Bonn, Germany. That’s the bridge running over the Rhine, if I’m not terribly mistaken. Two summers ago I walked over that bridge every morning to my German classes. Terrible classes, but my wife and I had a lovely time in the city all the same.

Another nails the right hotel in Bonn:

I’m a loyal reader but fairly new subscriber, and this is the first contest I’ve ever entered. If I get this right, then a million other people probably will, too, given my very rudimentary search technique skills. Right off the bat, this looked like Germany to me, and the Rhine River, and for some reason I immediately thought “Bonn”, a city I’ve been to a few times. Then a couple of image searches and some basic Google mapping and lo and behold … Hilton Hotel, looking out over the Kennedy Bridge. I’m too lazy to even try to figure out exactly which room the photo was taken from, which means someone else will probably take the prize. Please tell me I’m right, as I’m already shaking with excitement …

Yep you’re right. But more than 50 readers correctly guessed the Hilton Hotel. Here’s a fantastically thorough entry:

window-from-in-front-angle

This week, I first traveled the Danube and the Elbe before navigating down the Moselle to join the Rhine at Koblenz, where Kaiser Wilhelm I and his genius loci survey the rivers’ confluence at the German Corner.  From there, it was a short ride to the Poseidon Yacht anchored in front of the Hilton Hotel at Berliner Freiheit 2 D-53111 in Bonn, Germany, where this week’s contest window is located. Beautiful scenery the whole way.  I’ll guess room number 410, on what we in America accurately call the fifth floor.  I compared this photo – that seems to have been taken from the same room – with a photo looking out of room 326 to help estimate the room number.  Even if it’s not room 410, [above] are two pictures with the window circled. [Below] is an overview photo with labels for the hotel, the Poseidon Yacht, the Kennedy Bridge, and the church tower that is through the trees and across the Rhine from the contest window:

Overhead-1

The Poseidon Yacht looks better in all its neon glory at night. But the city’s most famous landmark is not in the picture; Bonn hosts the corporate headquarters of Haribo, the company that gave the world gummy bears.

Perfect timing for a German riverboat trip, as I have been reading Patrick Leigh Fermor’s A Time of Gifts. Fermor walked across Europe before the war, starting a few months after the Nazis took power. He made his way up the Rhine by barge in December 1933 just before Christmas, with stops in Bonn and Koblenz. The war and the Holocaust are still in the distance, but they hang over the memoir.  It’s a wonderfully written adventure with digressions into history, art, language, and religion.  I recommend it to other Dish readers.

Another geeks out on the bridge:

Finally got one! Kennedy Bridge, near where the Allies reached the Rhine in 1945. I couldn’t read the sign on the boat, but I had some sort of advantage – bridges! This one is strange for the US – the piers are wrong, and the Coast Guard HATES having fixed steel bridges that low over navigable waterways. Plus, the buildings looked vaguely European/Scandinavian. After finding a web database of bridges, and sorting to “multiple girder steel bridge over water” and finding a picture of a bridge in Strasbourg with similar features, then realizing we just passed the date of the allied advance, I traveled down the Rhine in Google Earth until I found it. I got thrown off the trail a bit because the photo clearly shows six girders, but the Streetview/Earth photos show it before its recent renovations with expansion to six girders. Here’s the hotel the photo was taken from:

image-3

The lamp post (blue) is kind of to the left of the photographer, but they are close to it. I am going to guess: 3rd floor, middle of north wing (red circle). Here’s the Streetview of the bridge, same direction as shot:

image-2

A nearby resident shares more info on the bridge:

The Kennedy Bridge had been renamed in December 1963 in honor of President John F. Kennedy, who had visited both Bonn (Germany’s capital at the time) and Berlin half a year earlier in June 1963 to commemorate the 15th anniversary of the Berlin Airlift and give his famous “Ish bin ein Bearleener” speech. The name of the street leading up to the bridge, Berliner Freiheit, translates to “Freedom of Berlin”, and the street faces pretty much in the direction of today’s capital of Germany.

Another adds:

The street below was previously known as Matthias-Erzberger-Ufer, after the Catholic politician and vice-chancellor of the Weimar Republic, who had signed the armistice at Compiègne in 1919, and was vilified by conservatives and right-wing press and politician until his assassination in 1921. It was renamed in 2011 after Moses Hess, the Jewish philosopher, who was an important precursor to Marx and Engels as well as to Zionism, and who, different from Erzberger, was actually from Bonn. You can see, in the lower left, across the street, a memorial for the Jewish community of Bonn, a fragmentary star of David, erected from the stones of the nearby synagogue, that had been destroyed during the pogrom of November 9, 1938. Strange contrast with the “party yacht” Poseidon moored behind it waiting for customers for a joyful booze cruise on the Rhine.

Another:

The best part of these puzzles is all the trivial knowledge I gain playing; this week: street lamps, European river cruises and EU vehicle registration protocol! I have yet to summon the courage to involve the front desk in getting exact room number. Maybe next time.

Another claims some bragging rights:

Yes! I beat my husband! (I always do.) I found the Hilton Bonn, Berliner Freiheit 2, 53111, Bonn, Germany after a Google search for solar energy bridges, while he was still going through all the bridges on the Danube : ) Here’s a picture of my guess for the exact window (my graphic skills aren’t quite as advanced as some of your readers’):

hilton bonn room

But there’s a hitch in this week’s contest, as the original submitter can’t remember the room number. What to do when that happens? In Chini we trust:

VFYW Bonn Actual Window Marked - Copy

At first this seemed like it might be a toughie, but once I saw that there was a dead giveaway clue I knew you’d get quite a few correct guesses. This week’s view comes from Bonn, Germany. The picture was taken on the 3rd floor of the Bonn Hilton and looks due east to the town of Buele on the far bank of the Rhine.

One notable feature in the image is the Kennedy Bridge on the right. As you might guess, based on its aging pillars and abutments, the current structure is a post World War II replacement. The original, far more beautiful bridge was blown up by the retreating Wehrmacht on March 8th, 1945. Fortunately the demolition of the Bonn bridge was too little, too late. On March 7th, the U.S. First Army had captured the Ludendorff Bridge at Remagen just 13 miles upriver and the door into Germany swung wide open. Here’s a black-and-white image of the original bridge and a marked overhead view of it from 1943:

VFYW-Bonn-Original-Bridge-aerial

For the truly curious, here’s a documentary on the capture of the Remagen bridge.

Several readers agreed with Chini’s window selection, but the prize this week goes to the reader with the most correct guesses in previous contests without yet winning:

I was upset with myself for not entering the past two weeks. I had a general sense of where the images were taken, but didn’t get to the right city quickly enough, and didn’t have the time to look further. I committed to solving this week’s image no matter how difficult. I started with the sense that we were looking at a northern European city, flag on boatobviously on a river. But, all cities in Europe were built on rivers. Looking for clues, I noticed a light blue flag on the boat docked in front, and thought I’d start there. The blue colored European country flags were Greece, Sweden, and Latvia. It couldn’t be Greece, as this city looked northern. But, the flag was too light in color for it to be any of these countries. Nonetheless, I searched some cities in Sweden and Latvia before I abandoned that approach. After striking out in Sweden and Latvia, I tried to find the distinctive patio flooring that is shown in the picture. I couldn’t find it.

So, back to the flag. I found this flag for the Central Commission for Navigation on the Rhine. The color seemed rhine flagright, and so did the river. Now, I really have no idea if this is the flag on the boat, but it brought me to the Rhine. So, I took a journey down the Rhine. After looking around at images in Basel, I decided to get more efficient with my search. So, I searched for Rhine bridges. The search quickly brought me to the Kennedy Bridge in Bonn, and it was a match:

Kennedy bridge

The original bridge was completed in 1898. To see the animated gif of the stereoscopic view of that bridge, go here. The Bonn Hilton at Berliner Freiheit 2 is where this week’s picture was taken from. Here is a picture that shows the distinctive courtyard—the courtyard that I had hoped would help me on my search, but didn’t:

courtyard

And where was the picture taken from? I think it was from the room I boxed in red:

room

I know that your consistently winning players always know the room numbers. That frustrates me, as I have never found a floor plan for hotel guest floors. Someday, I am going to win this thing.

Well that someday is today. From the reader who submitted the contest view:

Unfortunately, I don’t remember my room number from that trip.  I want to say it was 311, which would be the fourth floor because, like most European buildings, the ground floor is considered “zero”.   However, I would not bank on that memory of my room number, or even my floor.

I’ve stayed at the Hilton in Bonn several times, but this was the first time I had that river view, which I found immediately compelling. I took the picture just after sunrise and thought it captured a scene from that part of Germany perfectly – the bicyclist, the bridge, the boat, and the architecture across the river.  Bonn is mostly a university town, and I often tell people it’s like Albany, in that it was a small city to be a capital, with a good university, and is often overshadowed by its larger, more well-known neighbors, Cologne and Dusseldorf.

I took the picture the first week of February, in the heart of winter. While news of the polar vortex was dominating the news at home, Europe was having the mildest/warmest winter I can remember. I was able to take a few long runs along the Rhine in shorts, with just a long-sleeved shell on top. Normally, at that time of year in Northwest Germany, I run indoors on a treadmill because it is too cold to run outside. In fact, I chose the Hilton precisely because they have a good modern gym and I expected to use it that time of year, but I ended up just running outside along the river every morning.

It is apropos that you used my photo this week. While Andrew is enjoying warmth and sunshine on his vacation, I am stuck in his hometown of DC, which just got yet another generous helping of snow. Still, as I write you from my current hotel room, I can’t complain about my view:

image

(Archive)

Ask Shane Bauer Anything: Life After Solitary Confinement

By Chas Danner

Shane Bauer is an investigative journalist and photographer who was one of the three American hikers imprisoned in Iran after being captured on the Iraqi border in 2009. He spent 26 months in Tehran’s notorious Evin Prison, four of them in solitary confinement. Following his release, he wrote a special report for Mother Jones about solitary in America’s prison system. (The Dish’s ongoing coverage of the subject is here.) Shane and his fellow former hostages, Sarah Shourd (now his wife) and Josh Fattal, have co-written the memoir, A Sliver of Light, which comes out tomorrow. You can read an excerpt here.

In our first video from Shane, he explains how hard it was to readjust to a life of freedom after being an Iranian hostage for two years:

Following up that answer, Shane admits that while he’ll never be glad he went through the experience of being imprisoned, he’s still grateful for the perspective it’s given him:

(Archive)

Laying Off The Loudness

by Chas Danner

Nine Inch Nails has decided to release its new album, Hesitation Marks, in two versions, one mastered with maximized loudness in mind (as is the norm with virtually all mass-market music released today) and the other meant to respect the more natural dynamic range of the album as it was recorded in the studio. Dan Seifert explains why this is important:

This second “audiophile master” mix is the latest salvo against the overbearing loudness of pop music today, and, according to the band, it’s the first time that anyone has mastered the same album twice for different audiences.

Most songs produced today are louder than ever before, and have less variance between the loud and soft sounds within their tracks. This “brickwall” method of mixing music (which refers to a very compressed and loud audio track) is generally derided by audiophiles because it eliminates the delicate tones that can be heard with quality audio equipment.

Seifert adds that, “Chances are, audiophile-quality mixes of music will never really make the mainstream: for most people, pop music is too ephemeral to waste time, money, and storage space on higher-quality tracks.” But Zach Schonfeld thinks artists and audio engineers have a responsibility to ratchet back the loudness, seeing the alternate version of Hesitation Marks as an unfortunate half measure:

Famously attentive to every millisecond of sound, each snare hit and synth bubble, [Nine Inch Nails’ Trent Reznor is] throwing a bone to the thick-spectacled audiophile corner of his fanbase: He’s offering them a higher-quality product. But he’s also drawing a line in the sand between audiophile and average listener and suggesting that sound quality is only of interest to the former. Reznor is challenging the Loudness Wars, yet simultaneously capitulating to the new normal by offering up the “Audiophile Version” for a niche audience only.

This is a shame. As his producer, Alan Moulder, writes, “It is a fact that when listening back-to-back, loud records will come across more impressively, although in the long run what you sacrifice for that level can be quality and fidelity.” So why not just release the audiophile version on CD and vinyl and let it speak for itself?

Schonfeld also recommends Nick Southall’s fine 2006 essay on the Loudness War, a key section of which is excerpted below:

There are two ways to measure “loudness”—peak levels and average levels. The former refers to the loudest part of a piece of music or sound; a crescendo or climax. The difference between the highest and lowest points makes for the average level. Sadly, the science of psychoacoustics suggests our ears generally respond to the average level rather than the peak level of volume—hence we would perceive a consistently loud piece of rock music as being “louder” than a piece of classical that reaches the same or even a higher volume level during a crescendo, simply because the rock song is “loud” all the way through. “Loud” records grab our attention (obviously—being louder they are harder to ignore on first impression) and in order to grab attention quicker and more effectively in a crowded marketplace, record companies and artists have been striving to make their records as loud as possible from the second the first note is played, whatever the cost.

This isn’t a recent thing. The “Loudness War” has been going on almost as long as pop music has existed, and probably longer—nobody has ever wanted their record to be the quietest on the jukebox or the radio. The Beatles lobbied Parlophone to get their records pressed on thicker vinyl so they could achieve a bigger bass sound more than 40 years ago. The MC5 apparently mixed their second album, Back in the USA, at such extreme volume in the studio that they failed to notice how tinny and thin it sounded—there’s practically no bottom-end to it at all. Then there’s Phil Spector’s legendary “wall of sound” production style, mixed and mastered to sound good on tiny, tinny transistor radios, squeezing as big a sound as possible into as small a space. Three or four decades ago record companies would send out compilations of singles to radio stations on a single vinyl record—if a band or producer heard their song on one of these and it was quieter than the competitions’ song, they would call the mastering engineer and get him to up the levels until it was the loudest, even if that meant corrupting the sound quality.

Civil Rights Illustrated

by Chas Danner

Nate-Powell-March-Book-One

A popular new graphic novel, March: Book One, takes a look at the civil rights movement through the eyes of Congressman John Lewis. Aaron Colter explains why Lewis embraced the project:

Lewis — who spoke at the March on Washington, participated in lunch counter sit-ins, marched miles for social justice, and was jailed on several occasions — remembers another lesser-known but still influential tool for getting out the message of the movement: a 10-cent comic book. Titled Martin Luther King and the Montgomery Story, the comic told the story of Dr. King and the 1955 bus boycotts inspired by Rosa Parks while offering recommendations for non-violent protest tactics borrowed from Mahatma Gandhi. “We read the book in Nashville, Tennessee, and we started sitting in,” said Lewis at the recent Book Expo America. “[This book] has been translated into more than four languages, and it’s been read and inspired people in the Middle East, in Vietnam, especially in Egypt.”

In her review earlier this month, Hillary Brown raved about March: Book One‘s artwork, illustrated by Eisner Award-winning artist Nate Powell:

There’s no question that Powell is one of the most exciting visual talents on the scene, and part of what makes his illustrations a delight to look at is the ease with which he conveys complicated situations. His abilities are particularly evident with text, which skitters and whips around the edges of panels. Often, characters far away are talking, and we see their dialogue rendered so delicately that you can almost read it, but not quite. When action overlaps from one panel into the next, it’s done so seamlessly that it hardly calls attention to itself. Every once in a while, we get a big, dark night scene in the country, reminiscent of the 1930s WPA prints of the South, with a tiny house dwarfed by trees and encroaching black negative space. It’s easy to see the heroes of the civil rights movement as more than human, but the words and pictures work together in March (Book One) to put the everyday back into their lives and, in doing so, enrich the story beyond mere hagiography.

Browse a preview of the book here.