Face Of The Day

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Nick Turpin photographed London bus commuters for his series Through a Glass Darkly:

The combination of rainswept windows and lamplight make for images that are like oil paintings – stunning flashes of colour that belie the sticky hell they portray. There’s both a detachment and an intimacy to the works that form the series, entitled Through a Glass Darkly (the title borrows from Corinthians). Nick describes the project as taking the approach of a street photographer, continuing his interest in “recording the way that we live and making as close to a document as photography is capable of”.

Turpin elaborates:

“I photograph people without interaction and the pictures are un-retouched apart from colour and contrast corrections”, he explains. “It’s amazing how much variety there can be in the pictures, the people, the weather, the age and type of bus all play a part, I even have a shot with blue light in the background from a passing police vehicle. The pictures are intimate glimpses of people during that strange time between leaving the office and arriving home when you are almost between two identities. The project also raises questions about voyeurism and public and private space.”

See more of his work here.

Face Of The Day

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For his series Shot Face, Tim Charles photographed people in the process of quickly downing booze:

Charles came up with the idea for Shot Face while out on the town with his girlfriend one weekend night. The photographer got a kick out of watching his girlfriend’s reaction to one particular round that night, and in the dimly lit bar, a lightbulb went off. … Charles said that roughly half of the participants in the series were friends of his. The other half, he explained, are people found on a casting website, Craigslist and Gumtree. Convincing friends to take shots, he said, wasn’t difficult at all… getting strangers to let you take photos of them while offering them alcohol, on the other hand, did seem a bit dodgy.

He elaborates:

The idea of going through a moment of temporary mental and physical discomfort to reach a potentially better end result is interesting and something I wanted to explore. Not only that, but doing a shot is probably one of the only times people will pull a somewhat ugly face in public and are stripped of any image of self we try to convey. This is instead often replaced with a pure expression of human vulnerability, sometimes demonstrated through a gag reflex! It was this fleeting moment of stripping all thoughts away apart from the battle with the shot that I wanted to capture.

See more of his work here and here.

Face Of The Day

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Senator Elizabeth Warren, a Democrat from Massachusetts, looks on as Senate Majority Leader Harry Reid speaks during a news conference following a private meeting at the U.S. Capitol Building on November 13, 2014. Senate Democrats plan to elevate first-term Massachusetts Senator Elizabeth Warren to their leadership ranks on an expanded communications and policy committee led by third-ranking Democrat Charles Schumer. By Andrew Harrer/Bloomberg via Getty Images.

Face Of The Day

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The Singh Project by British photographers Amit and Naroop depicts members of the Sikh community:

These intimate images highlight two very important symbols of the Sikh lifestyle – the beard and the turban (Dahar). The turban in particular is a representation of honor, self-respect, courage, spirituality, and piety. Sikh men (and women) wear the turban to cover their long, uncut hair (kesh), and are also seen in this series brandishing a traditional Sikh sword (kirpan).

Originating in South Asia – primarily in India, Singh was a popular middle name or surname for lords and warriors. Meaning Lion (from the Sanskrit word Simha/Sinha), it was later adopted by the Sikh religion, and today is compulsory for all baptized Sikh males. The sense of pride connected with the history of the name Singh is evident on the faces of these men.

See more images from the series here.

Face Of The Day

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Lori Zimmer captions the work of Nick Gentry:

With the age of technology advancing faster than we can possibly keep up with, we are left with obsolete media. Film cameras have been replaced with digital capture and USB drives render floppy disks useless. As an artist, Gentry finds beauty in these forgotten remnants, like the rolls of exposed 35 mm film he finds in abundance in thrift stores and secondhand sales, or receives from donors.

His effort to give new life to the media that are now obsolete has created inspiration for a beautiful body of work, which is given greater depth than if simply painted on canvas. Gentry paints many of his portraits with a direct gaze, which almost summons to viewer to look deeper into the work.

Explore more of Gentry’s work here, here, and here.