Frum-Bait

Ron Paul gets endorsed by a brothel-owner in Nevada. No word on whether he is a neo-Nazi. Money quote:

"I’ll get all the Bunnies together and we can raise him some money. I’ll put up a collection box outside the door. They can drop in $1 dollar, $5 dollar contributions. What a great way for the working girls to support Ron Paul. It’s just the right thing to do."

Malkin Award Nominee

"Why do liberals love water-boarding? Because it gives them yet another opportunity for self-righteous anger and the moral hatred that goes with it — hate as always directed against America and its democracy.

It gives them a chance to deflect their attention away from what they have actually been doing, which is to sabotage the war against terror in Iraq…

the fact is that for four years, from Abu Ghraib to Haditha, progressive America — most of progressive America — has not wanted us to win the war but has done everything it could to help the enemy and encourage his war against us. Shame on these progressives; shame on the left. It’s time to stop calling such people "anti-war" and recognize that they are anti-us," – David Horowitz, now, sadly, completely off his rocker.

Is this the 2007 Malkin Award winner? Don’t Forget To Vote Here!

The Subtext Of Bonnie Tyler

Since it’s ’80s video week at the Dish, here’s a link to a blog of homage to Russell Mulcahy, a man who

practically pioneered the form – or should I say pioneered the form of the cheesy 80s video.

In his early career, Mulcahy worked with edgy pop acts like The Tubes (where he first gained notoriety producing their Grammy nominated long form video), XTC, the Vapors, the Human League, even the Stranglers (pictured, as moody pastors in "Duchess" – a harbinger of disturbing video imagery to come). However, his most famous early work is the over-played non-hit  "Video Killed the Radio Star", which explored every available video effect of 1979, but is mostly known for being the first video MTV ever played.

Mulcahy’s everything and the kitchen sink style came to help popularize the "new wave" aesthetic, and soon he was co-opted by the mainstream to do many of the defining videos of the decade. His iconic (and insanely gay) video for Elton John’s "I’m Still Standing" spearheaded an 80s Elton comeback, and he also directed such burned-in-your-retina videos as Duran Duran’s "Hungry Like the Wolf" (as well as most of their early videos), Kim Carnes’ "Bette Davis Eyes", Spandau Ballet’s "True", Rod Stewart’s "Young Turks", Billy Joel’s "Allentown", Fleetwood Mac’s "Gypsy", and in a more scandalous move, Berlin’s "Sex (I’m a…)".

A long and devoted exegesis of the "Total Eclipse Of The Heart" video follows. Look: I’m just linking, okay?