The Ever-Expanding Novel

Jeremy Anderberg notes that the average “popular and prize-winning novel” has consistently passed the 400-page mark for the past 40 years, while the average turn-of-the-century read was nearly half that length. He speculates:

I think it’s largely the changing nature of consumers. Hardcover books are often expensive, regardless of length. As a consumer, I almost instinctively buy paper books that are meatier, because I feel like I’m getting my money’s worth. It’s also never been easier to lug around huge books with us at all times in our digital devices, so why not make ‘em longer. A publisher a hundred years ago might have scoffed at the cost of printing a long book, but now with e-books, the cost of publishing a 1,000-page book vs. a 150-page book is virtually the same (obviously it’s still different with print versions…).

Our lifestyle may also play a part. This is completely just conjecture, so bear with me. We, as a people, are far more sedentary than we were a hundred years ago. Does our tendency to sit on the couch for more and more hours a day play a part in how we consume media? Absolutely. Look at the phenomenon of Netflix binge watching. Could the same effect take place with books? We are into bingeing our media, and the bigger the binge the better, so we eat our hearts out with giant books that can completely remove us from reality and how sedentary we really are. If books were shorter, our escapes from reality wouldn’t last so long.

Literature Is Not A Conflict-Free Zone

Death_of_Desdemona

Jonathan Gottschall, author of The Storytelling Animal: How Stories Make Us Humanexamines why nearly all stories are problem stories:

[I]f you think about it, it’s not at all obvious that stories should be that way. You might really expect to find stories that really did function as portals into hedonistic paradise. Paradises where there were no problems and pleasure was infinite. But you never, ever find that.

Why are stories so trouble-focused? You have quite a bit of convergence among scholars and scientists who are looking at this from an evolutionary point of view, and what they’re saying is that stories may function as kind of virtual reality simulators, where you go and you simulate the big problems of human life, and you enjoy it, but you’re having a mental training session at the same time. There’s some kind of interesting evidence for this, that these simulations might help people perform better on certain tasks.

So in the same way that children’s make-believe helps them hone their social skills, it seems to be true of adult make-believe, too. If adult make believe is novels and films, it seems they’re entering into those fictional worlds and working through those fictional social dilemmas actually does, as hard as it may be to believe, enhance our social skills, our emotional intelligence, our empathy.

(Painting: The Death of Desdemona by Eugène Delacroix [1858], via Wikimedia Commons)