by Chris Bodenner
Wade Michael Page, the Sikh temple shooter, was very active in the hate rock scene. Randy Blazak, a sociologist who specializes in the white-supremacist subculture, delves into the dark history:
[Hate rock's] heyday … roughly spanned the mid-90s. In its first three years of operation, Resistance was selling nearly
100,000 CDs and cassette tapes a year. Spurred by Burdi’s success, several record labels like Panzerfaust and Label 56 began to make the music available to the world via the largely anonymous marketplace of the internet. While skinhead bands sometimes struggled to find audiences in the U.S., they found legions of fans in Europe. The aftermath of the Cold War found many young Europeans clamoring for nationalism and an outlet for anti-immigrant hate, creating a concert market for American hate rock bands.
In musical terms, the central irony of hate rock is that it is fundamentally black music.
Anchored in the 12-bar blues, the music of white supremacy is, formally speaking, a tribute to Chuck Berry as much as anything else. But such irony is lost on most hate rockers, or at least it’s beside the point. (Just try to explain to a neo-Nazi fan of Gaelic music that the Irish were not considered “white” a hundred years ago.) Their goal is simple: to express the alienation and frustration of straight white males who feel the loss of their special rights and privileges, using the most hyper-masculine, aggressive mode available to them.
Andrew Kirell captions the above image:
[A] shot of Page playing guitar with what appears to be a replica of a flag with the German Eagle coat-of-arms used during the Nazi regime. … Page indicated he went to the Hammerfest 2000 in Georgia, which was an annual "hate rock" festival organized by a skinhead group. "That’s when I joined Youngland," he said. Slate‘s Dave Weigel reports that was a white power band with lyrics like: "Stand one stand all, stand up, stand proud/and raise the white man’s flag."
Update from a reader:
I just wanted to point out that the photo in this post shows a member of a Hate Rock group wearing what is clearly a t-shirt with the iconic Corrosion of Conformity emblem. I'm friends with some of the COC guys and readers should know that they have absolutely nothing to do with Hate Rock in any context and would be appalled if anyone seeing this image thought to link them to the genre.
Thanks for the heads up. I've swapped out that image with another highlighted in Kirell's post.
100,000 CDs and cassette tapes a year. Spurred by Burdi’s success, several record labels like Panzerfaust and Label 56 began to make the music available to the world via the largely anonymous marketplace of the internet. While skinhead bands sometimes struggled to find audiences in the U.S., they found legions of fans in Europe. The aftermath of the Cold War found many young Europeans clamoring for nationalism and an outlet for anti-immigrant hate, creating a concert market for American hate rock bands.