Artist Lucy Glendinning’s “Feather Child” series explores “the allure and dangers of artificially propelling human evolution”:
Inspired by the Greek myth of Icarus, she imagines future humans treating our DNA as a medium of expression and wish-fulfillment; in the poem accompanying the sculpture, she envisions feathers like “A decoration applied with / a gene, not a needle.”
The Art Circus Review adds:
Covered from head to toe, the feathers may act as a camouflage, keeping the children hidden or they may enable them with a unique ability to survive whatever landscape they now populate They may also just be tired freaks, taking refuge in art galleries. Glendinning’s tactile sculptures are beautifully crafted, showing a very sensitive and vulnerable side to her bizarre subjects, leaving the viewer uncertain whether to take the mutant child into their care or throw them into the fire.
More photographs of Glendinning’s sculptures here.