Port Macquarie, Australia, 1.25 pm
Evangelical Heresies
Kevin P. Emmert relays the results of a new survey showing that “most American evangelicals hold views condemned as heretical by some of the most important councils of the early church.” One example? 22% claim God the Father is “more divine” than Jesus:
No doubt, phrases like “only begotten Son” (John 3:16) and “firstborn of all creation” (Col. 1:15) have led others in history to hold these views, too. In the fourth century, a priest from Libya named Arius (c.250–336) announced, “If the Father begat the Son, then he who was begotten had a beginning. … There was a time when the Son was not.” The idea, known as Arianism, gained wide appeal, even among clergy. But it did not go unopposed. Theologians Alexander and Athanasius of Alexandria, Egypt, argued that Arius denied Christ’s true divinity. Christ is not of similar substance to God, they explained, but of the same substance.
Believing the debate could split the Roman Empire, Emperor Constantine convened the first ecumenical church council in Nicaea in A.D. 325. The council, comprising over 300 bishops, rejected Arianism as heresy and maintained that Jesus shares the same eternal substance with the Father. Orthodoxy struggled to gain popular approval, however, and several heresies revolving around Jesus continued to spread. At the second ecumenical council in Constantinople in 381, church leaders reiterated their condemnation of Arianism and enlarged the Nicene Creed to describe Jesus as “the only-begotten Son of God, begotten of the Father before all worlds, Light of Light, very God of very God, begotten, not made, being of one substance with the Father, by whom all things were made.” In other words, the Son is not a created being, nor can he be less divine than the Father.
Matthew Block, commenting on these findings, blames the prevalence of such heresies on the way many Protestants read the Bible:
Too many Christians mistake “Scripture alone” as if it were a license for them to read the Bible alone—to read it apart from other people. You know the idea: “All I need is me and my Bible.” But that’s not what it means. It means that Scripture is alone authoritative, not that your personal (“alone”) interpretation of Scripture is authoritative.
While Scripture itself is clear on matters of salvation, it nevertheless can be (and often is) misinterpreted by sinful people. Jesus Himself faced this danger when the devil suggested to him misinterpretations of the Word of God (Matthew 4:5-6). We fool ourselves if we think we are somehow exempt from this danger. Christ, of course, did not fall for the devil’s suggested misreading. Unsurprisingly, the Word of God made Flesh knows the written Word of God better than does Satan. But we on the other hand can and do fall into such error—be it error suggested by our own sinful minds, the errant teachings of others, or, indeed, by the devil himself.
Personal piety and a desire for truth are not guarantees that we always read Scripture aright. Consequently, we must rely upon our brothers and sisters in the faith to correct and rebuke us when we err, demonstrating our errors by Scripture (2 Timothy 3:16). And this reliance on brothers and sisters refers not merely to those Christians who happen to be alive at the same time as us. Instead, it refers to the whole Christian Church, throughout time. We rely on those who have gone before us. They too get a say in the matter. As G. K. Chesterton has wonderfully put it, this sort of tradition is a “democracy of the dead.”
Getting Schooled On Athens
Mary Elizabeth Podles walks us through the characters and meaning of Raphael’s brilliant fresco, giving it a theological gloss:
Plato points to heaven; Aristotle points to earth. Plato’s drapery swirls around him on the diagonal; Aristotle wears the colors of earth and water, and his folds fall in a much more orderly pattern of horizontals and verticals. Plato is old; Aristotle is a man in his prime. Plato stands almost on tiptoe; Aristotle is firmly planted on the ground, perfectly balanced but, like a Classical statue, full of potential movement. Plato’s followers are young and passionate; Aristotle’s are older and more sharply contoured, more precise.
So the poetical and heavenly strain of Platonic discourse is balanced by the lucid clarity of Aristotelian investigation. But still, they are linked, the two streams merge:
Plato, whose main concern was ethics, holds a discourse on nature, and Aristotle, whose main interest was the natural world, holds his treatise on ethics. They stand in an archway in a colossal, unfinished building: is this overarching architecture a portrait of the new St. Peter’s rising next door?
The School of Athens is on the opposite wall from the Disputa, and so would have been read as the other side of the dialectic: Classical philosophy, the highest manifestation of the natural religions on one side, and Christian theology on the other. If the Disputa is the apse of a basilica, is this picture not the nave, so that the philosophy of the ancients becomes the path that leads to the altar where philosophers and theologians meet, where all human thinking finds fulfillment?
You can see a close-up of the work, including labels for all the key figures depicted, here.
(Hat tip: Micah Mattix. Image of Raphael’s The School of Athens, circa 1510, via Wikimedia Commons)
Quote For The Day
“Uncertainty is the very essence of Christianity. The feeling of security in a world ‘full of gods’ is lost with the gods themselves; when the world is de-divinized, communication with the world-transcendent God is reduced to the tenuous bond of faith, in the sense of Heb. 11: 1, as the substance of things hoped for and the proof of things unseen. Ontologically, the substance of things hoped for is nowhere to be found but in faith itself; and, epistemologically, there is no proof for things unseen but again this very faith. The bond is tenuous, indeed, and it may snap easily. The life of the soul in openness toward God, the waiting, the periods of aridity and dulness, guilt and despondency, contrition and repentance, forsakenness and hope against hope, the silent stirrings of love and grace, trembling on the very of a certainty which gained is loss – the very lightness of this fabric may prove too heavy a burden for men who lust for massively possessive experience,” – Eric Voegelin, The New Science of Politics.
Human-Cyborg “Relations”
A.I. expert David Levy, the author of Love and Sex with Robots, expects that sex – or even an intimate relationship – with cyborgs will be considered perfectly normal within the next few decades:
“I believe that loving sex robots will be a great boon to society,” he says. “There are millions of people out there who, for one reason or another, cannot establish good relationships.” And when does he think this might come about? “I think we’re talking about the middle of the century, if you are referring to a robot that many people would find appealing as a companion, lover, or possible spouse.”
Spouse? “Yes.”
Michael Brendan Dougherty shakes his head:
The truth that Levy has lost is that healthy sexual desire does not take as its object a mere sensation or state, but a person.
We also know this, instinctively. If the hand that is discreetly caressing you is revealed to belong to someone other than your lover, the pleasure the hand gives is instantly poisoned and felt as a desecration. We have words for bestiality, pedophilia, and necrophilia, acts where the sexual object lacks personhood. The existence of anti-fap boards on reddit, as well as the recognition of pornography addiction as a serious problem, is more evidence that something goes wrong when sexual desire is directed away from people.
What healthy sexuality desires is a person. We don’t want mere sensations, but to be wanted and accepted by another. We want another persons’ conscious intentions for us acted upon our bodies, and for our intentions to be received as well. Lovers may use games that temporarily disguise consent and even pleasure itself, but their desire is to be freely wanted and freely given as persons, not as nerve endings. We call perverse those sexual encounters in which people intentionally and radically efface their own or another’s personhood.
A Whale Of A Film
Freddie Moore lovingly reviews 2010: Moby Dick, ranking it alongside other “great man-versus-beast bad movie classics, like Deep Blue Sea or Snakes on a Plane.” It is, she suggests, the “worst adaptation of all time”:
On the surface, the film is based on the book: It’s the ultimate story of revenge sought by a captain who’s had his ship and leg taken from him by a giant sperm whale. As a modern retelling, though, Ahab is a submarine captain and his strikes against the whale involve torpedos, machine guns and nukes. (Yes, nukes.) Not only that, but 2010’s version of the whale doesn’t stick to the ocean; he “swims” over mountains and even flies to attack Ahab and his crew.
She offers a drinking game for brave viewers. Drink up when:
1. Submarine emergency sirens sound;
2. Ahab says the word “whale”;
3. Race awkwardly enters the story (same thing goes for any time something sexist is directed at Dr. Herman);
4. Someone listens to sonar whale sounds;
5. Moby Dick makes rabid bull noises;
6. Someone says the word “hunt”;
7. Anyone tries to say anything remotely scientific.
Sex Shop Talk
After working in a gay fetish store for several years, Russell Dean Stone shares the “enduring truths” he’s learned about the job:
First, lesbians are the nicest customers. Without exception. Second, the last people you’d imagine buying a particular item will, without question, always be the first ones to buy that item. Tiny leather thongs bought by hugely overweight men, for example, or adult diapers snapped up by tall, hot, ripped biker men who you really, really wish didn’t have a fetish for shitting themselves. Third—and finally—that you must accept that a large portion of your day will be spent fielding prank phone calls and voicemails.
He goes on to ruminate about other occupational hazards, which include lots of TMI from customers:
Mind you, when those specifics are questions like, “I want to get fisted but have my hands free—do you have any harnesses that can accommodate a plastic fist?” you do sometimes have to reconsider the professional choices you’ve made.
(Photo by Corey Doctorow)
Mapping The Mushroom-Addled Mind
The above image comes from a new study that comparatively mapped the brain activity of people on placebos (left) and psilocybin (right):
Each circle depicts relationships between networks — the dots and colours correspond not to brain regions, but to especially connection-rich networks — with normal-state brains at left, and psilocybin-influenced brains at right. In mathematical terms, said [researcher Giovanni] Petri, normal brains have a well-ordered correlation state. There’s not much cross-linking between networks. That changes after the psilocybin dose. Suddenly the networks are cross-linking like crazy, but not in random ways. New types of order emerge.
“We can speculate on the implications of such an organisation,” wrote the researchers, who were led by neurobiologist Paul Expert of King’s College London. “One possible by-product of this greater communication across the whole brain is the phenomenon of synaesthesia” — the experience, common during psychedelic experiences, of sensory mix-up: tasting colours, feeling sounds, seeing smells, and so on.
Previous Dish on psilocybin here.
Colbert Bait
Two bears battle in suburban New Jersey for nearly seven minutes:
A Poem For Saturday
Dish poetry editor Alice Quinn writes:
The superb American poet Galway Kinnell, who was also a sweet, generous, gallant, much-beloved man, died peacefully in Sheffield, Vermont this past Tuesday. When The Book of Nightmares, long considered one of his best, was published in 1971, fellow poet John Logan wrote, “Each generation looks about to see who the great ones are in the arts, and in our time we can single out Galway Kinnell as one of the few consummate masters in poetry.”
His Selected Poems, published in 1982, was awarded the Pulitzer Prize and shared the National Book Award that year with Charles Wright’s Country Music: Selected Early Poems. The reception of the book was extraordinary, exemplified by the praise of Richard Tillinghast in The Boston Review, “This book is proof that poems can still be written movingly and convincingly, on those subjects that in any age fascinate, quicken, disturb, confound, and sadden the hearts of men and women: eros, the family, mortality, the life of the spirit, war, the life of nations.” After September 11th, The New Yorker published his profound meditation, When the Towers Fell, which he read from the steps of Brooklyn Borough Hall to a public aching for poetic witness. A friend who was there told me, “Fighter jets flew overhead, the sky was as blue as it had been on 9/11, and it was as intense a civic moment as one could have. Or, put another way, the civic became intensely personal.” Up to the moment the magazine was to be printed, Galway’s revisions were sliding through the fax machine at a tremendous clip. The consummate master was a consummate reviser, too, which inspired the legions of students he taught over the decades.
“After Making Love We Hear Footsteps” by Galway Kinnell (1927-2014):
For I can snore like a bullhorn
or play loud music
or sit up talking with any reasonably sober Irishman
and Fergus will only sink deeper
into his dreamless sleep, which goes by all in one flash,
but let there be that heavy breathing
or a stifled come-cry anywhere in the house
and he will wrench himself awake
and make for it on the run—as now, we lie together,
after making love, quiet, touching along the length of our bodies,
familiar touch of the long-married,
and he appears—in his baseball pajamas, it happens,
the neck opening so small he has to screw them on—
and flops down between us and hugs us and snuggles himself to sleep,
his face gleaming with satisfaction at being this very child.In the half darkness we look at each other
and smile
and touch arms across this little, startlingly muscled body—
this one whom habit of memory propels to the ground of his making,
sleeper only the mortal sounds can sing awake,
this blessing love gives again into our arms.
(From A New Selected Poems © 2000 by Galway Kinnell. Used by permission of Houghton Mifflin Harcourt.)



