What Traditional Reviewers Miss

Jason Kottke praises amateurs:

[In mainstream reviews there's] little mention of whether a book would be good to read on a Kindle, if you should buy the audiobook version instead of the hardcover because John Hodgman has a delightful voice, if a magazine is good for reading on the toilet, if a movie is watchable on an iPhone or if you need to see it in 1080p on a big TV, if a hardcover is too heavy to read in the bath, whether the trailer is an accurate depiction of what the movie is about, or if the hardcover price is too expensive and you should get the Kindle version or wait for the paperback. Or, as the above reviewers hammer home, if the book is available to read on the Kindle/iPad/Nook or if it's better to wait until the director's cut comes out. In the end, people don't buy content or plots, they buy physical or digital pieces of media for use on specific devices and within certain contexts. That citizen reviewers have keyed into this more quickly than traditional media reviewers is not a surprise.

“A Male Monkey With Broadband”

Jonah Lehrer is disturbed how social platforms like Facebook, Twitter, LinkedIn, and even blogs "quantify our social life" by counting friends, followers, and readers:

[Because digital social platforms] exquisitely measure our place within the network, we know exactly who the powerful people are; it's like high-school, except on a massive scale. (Reading the comments on many popular blogs reminds me the sycophants who surrounded the popular kids in 9th grade. It's all applause and affirmation, with every criticism shouted down.) Furthermore, the quantification of our social world inevitably inspires a certain kind of social anxiety. We want to be moving upwards, to have more friends and more followers and more connections. (Such are the burdens of being a social primate.) It's a ridiculous endeavor, of course, and I chastise myself every time I check my twitter count, but it's also a deeply seated instinct.

Too Smart To Be The Best

Ilya Somin reflects on the compromise between broad interests and specialization. Somin quotes Magnus Carlsen, the youngest chess player to be ranked number one in the world. Carlsen:

Of course it is important for a chess player to be able to concentrate well, but being too intelligent can also be a burden. It can get in your way. I am convinced that the reason the Englishman John Nunn never became world champion is that he is too clever for that…At the age of 15, Nunn started studying mathematics in Oxford; he was the youngest student in the last 500 years, and at 23 he did a PhD in algebraic topology. He has so incredibly much in his head. Simply too much. His enormous powers of understanding and his constant thirst for knowledge distracted him from chess.

A Disorder Of Choice?

Sally Satel reviews Gene Heyman's new book on addiction:

No amount of reinforcement or punishment can alter the course of an entirely autonomous biological condition. Imagine bribing an Alzheimer’s patient to keep her dementia from worsening, or threatening to impose a penalty on her if it did. This is where choice comes in: choosing an alternative to drug use. Heyman realizes how odd this might seem. How can otherwise rational people choose self-destruction unless they are diseased? This question was raised in colonial America. Dr. Benjamin Rush, also known as the father of American psychiatry, was among the first to promote the notion that alcoholism was a disease. And he did so not on the basis of medical evidence, Heyman reminds us, “but rather [upon] the assumption that voluntary behavior is not self-destructive.”

Cool Ad Watch

BoingBoing:

Here's an adorable, tricky and clever video on the future of publishing, courtesy of the Penguin folks, who produced it for an internal presentation and then released it into the wild after everyone loved it. Be sure to watch to at least halfway, when the clever gets visible.

However, a reader writes:

The industry advert is actually a rip-off of a years-old AARP ad, which itself is derivative of an Argentinian political advert which took the Silver in the Cannes Lions 2006. In other words, the publishing industry created an ad to celebrate publishing against its own demise … by plagiarizing someone else’s work. Fantastic.

But to Penguin's credit, they openly discuss where the concept came from.